Proceeds of Crime

Proceeds of Crime

A blend of 'The Warriors' and 'From Dusk Til Dawn', 'Proceeds' is an all-female badass crime-horror caper with a bizarre dark comedy slant. Styled in aesthetics from the Berlin techno underground, this powerful female gang rules the night. Their mission is to cut the hair off beautiful women and sell it on the black market but they soon find out they aren't the only predators lurking the streets after dark. Inspired partly by the 'Pirahna' hair attacks in Venezuela. https://ift.tt/31W1VtV

Dillon Francis - GO OFF (Nuthin' 2 It) [Official Music Video]

Dillon Francis - GO OFF (Nuthin' 2 It) [Official Music Video]

Lead Talent - John Gemberling / Dillon Francis Director / Editor - The DADS Director of Photography - Geoff Taylor Colorist - Josh Bohoskey (The Mill) Line Producer -Steven Taylor 1st AD - Chris Taylor BTS Photo/Video - Jake Herman 1st AC - Travis Lynch 2nd AC - Marijo Saulon Key Grip - Travis Becker BBG - Matt Turve Gaffer - Adam Dinihanian BBE - Connor Burns Production Designer - Frankie Latina SPFX Foreman: Alex Hill SPFX Technician: Maggie Goll SPFX Technician: Dave Mesloh SPFX Technician: Michael Engel Artist HMU - Fara Conley HMU - Abigail Smith Wardrobe Designer - Paola Erazun Movement Coach - Mimi Cave Production Assistant - Set - Tyler Hock Production Assistant - Set - Jack Clarke Production Assistant - Set - Andrew Bowman Location - Silver Dream Factory Featured Talent - Mary D May Featured Talent - David Cardenas Featured Talent - Vimala Nowlis Featured Talent - Carol Hannan Featured Talent - Ladi B Featured Talent - Marilyn Price Featured Talent - Nick Reid Featured Talent - Steven Wills Featured Talent - Elijah Baughman Featured Talent - Andrew Searles Label - IDGAFOS / Mad Decent Artist Manager - Nick Palmacci Commissioner - Lillie Wojcik Production Company - AVOИИI Executive Producer - Dillon Francis Executive Producer - Reed Matthews Executive Producer - Steven Taylor

The Wrong End of the Stick (2016)

The Wrong End of the Stick (2016)

Featured on Short of the Week! shortoftheweek.com/2019/08/26/the-wrong-end-of-the-stick/ The Wrong End of the Stick mini-site: behance.net/gallery/80326215/The-Wrong-End-of-the-Stick Malcolm Fetcher is a neurotic, middle-aged teacher lost in a dull marriage with his wife of twenty years, Beverly. As he faces an all-consuming identity crisis, their marriage disintegrates and he is forced to express a deep, hidden desire... Nominations: ¯¯¯¯¯¯¯¯¯¯¯ 44th Annie Awards 2017 • Best Student Film British Independent Film Awards 2016 • Best British Short . Awards: ¯¯¯¯¯¯¯ HPFF 2019 • Special Mention for Animation: Best Artistic Contribution Nachtschatten Film Festival 2018 • Best Short Film Sapporo Short Fest 2017 • Best Student Director Animator Festival 2017 • Best Student Film London Comedy Film Festival 2017 • Discovery Short Film Award Animation Dingle 2017 • Best International Student Short Film • Runner Up: Best Combined Animation Atlanta Film Festival 2017 • Honourable Mention for Animated Short Underwire Festival 2016 • Best Animator Award Indie Memphis 2016 • Audience Award: Best Departures Short Film Spark Animation 2016 • Jury Special Mention: Bravery Award Anilogue 2016 • Jury's Special Award .

AFAR Travel Tales: There's No Place like Kansas City

AFAR Travel Tales: There's No Place like Kansas City

The first video in a series commissioned by AFAR magazine, about the comedian Negin Farsad's first impressions and experiences visiting Kansas City, Missouri. Directed, designed, animated by Katy Wang Colouring by Lois de Silva, Katy Wang Music and Sound by Ambrose Yu Narrated by Negin Farsad

CURSOR is back

CURSOR is back

It's back and very happy to see you!

My First Concert With Gustavo

My First Concert With Gustavo

Liliana Morales was 8 years old when she first played at the Hollywood Bowl with Gustavo Dudamel and the LA Youth Orchestra. Commissioned by the Los Angeles Philharmonic in celebration of their centennial. Director : Amelia Giller Producer : Solana Braun Animation Director : Rafael Araujo Additional Animation : Juan Ricardo Hernandez

Martha The Monster

Martha The Monster

In a world where humans live alongside monsters, Martha finds herself stuck with a major identity crisis. Written and Directed by Christopher Weekes 
Cast: Rose Byrne | Bobby Cannavale | Kailah Cabanas | Nicholas Brown | Krew Boylan Produced by: Jamie Hilton & Michael Pontin Cinematography: Lachlan Milne Visual Effects : Elliot Goodman Original Score: Michael Yezerski Additional Music: Oh Pep Edited by: Spencer Susser & Christopher Weekes Production Design: Claire Granville Sound design: Angus Robertson Monster Designers: Pete Commins, Christopher Weekes, Elliot Goodman, Joel Goodman, Paul Katte & Nick Nicolaou Produced with the support of Screen Australia and Magenius A See Pictures Production In Association with Goodman Brothers Productions & Casp Productions

Moon B — Welcome [Official Video]

Moon B — Welcome [Official Video]

MOON B — Welcome (Official Video) A young star gazer explores the planets of the Udaya system, scanning the flora and fauna with her binoculars. Taken from the album "Udaya" on Hoop Sound. Direction & Animation: Joseph Melhuish Art Direction: Jeremy Grant https://ift.tt/2ZuITsP

Dusts of Gold

Dusts of Gold

Ryan Lovelace, creating and experimenting... Trevor Gordon, surfing. direct/film/edit: Morgan Maassen music by: Helado Negro "Wobble" Nina Simone "Flo Me La"

The Super Zoom

The Super Zoom

CG animation of amazing zoom to macro view to the "quantum world", shown on an approximate scale of the reality of physics. .

The Absence of Eddy Table

The Absence of Eddy Table

What if your worst fear and your greatest love turn out to be the same thing? Lost in a dark forest, Eddy Table stumbles upon a mysterious girl and dangerous parasites. He should escape, but something keeps him from leaving. Rune Spaans’ romantic horror short is based on the works of Canadian artist Dave Cooper. The Absence of Eddy Table is this week's Staff Pick Premiere. Read more about it on the Vimeo blog: https://ift.tt/2HsSCKg

The Last Line

The Last Line

'The Last Line' follows an actress as she enters an audition where she is forced to face a harsh reality of the industry. She starts out delivering a confident performance, only to be gradually beaten down, arriving at a place vulnerable to emotional manipulation that takes place at the hand of the director, all in the name of ‘art’. She is confronted by the questions of what is indispensable for art and an excellent performance, where the line is drawn between real life and performance and ultimately how much of herself she is willing to sacrifice in the pursuit of her dream. CREDITS: Bella: Francesca Reale The Director: Alex Hurt Jesse: Chris Cafero Reader: Sara Kubida Written, Directed & Edited by Renee Mao Cinematography by Brandon Roots 1st AC: Jonathan Arturo Gaffer: Ahad Mahmood Line Producer: Savannah O'Leary Assistant Director: Zach Nutman Production Sound Mixer: Sean Kiely Sound Design & Mix: Hunter Berk Colorist: Brandon Roots

And I Need a Haircut

And I Need a Haircut

The true feelings and secret thoughts of a messy, stressed out mom. Andrea Rosen - Andrea O-Lan Jones - Andrea's Mom John Gemberling - Andrea's Husband Deborah Ishida - Andrea's Therapist Director - Staci Roberts Steele Writer - Andrea Rosen Producers - Alex Mechanik & Andrea Rosen Director of Photography - John Albrecht Production Designer - Ester Song Kim Production Sound - Jake Robinson Casting Director - Samy Burch Editor - Alex Mechanik Colorist - Charlie Rokosny Mixer - Frank Flaherty Set Photographer - Ericka Kreutz Production Assistant - Ali McLaughlin twitter: @andreafartrosen instagram: @andreakrosen / @allthatjazzla

Thomas Deininger. Trash Artist.

Thomas Deininger. Trash Artist.

a gnarly bay mini project featuring Thomas Deininger . Director: gnarly bay Producer: Kyle King DP: Tyler Murgo + Jordan Ingram AC/DIT/Audio: Jack Ieronimo Edit: Jordan Ingram Post Supervision: Dan Riordan Dana Saint Sound Design/Mix: Jared Blizzard Jordan Ingram Executive Producers: Dan Riordan Dana Saint . Early in 2019, we were searching for stories about interesting people in our area so that we could create some client-free creative profiles in our down time. Thanks to the infinite scroll of twitter, we were turned on to the work of this amazing artist named Thomas Deininger. It was actually a random tweet from the actor that plays Boba Fett in the Star Wars prequels that claimed Tom was one of the most inspiring creators he had come across lately. We were intrigued by the amazing artwork in the low quality GIF that he posted, and then, following the internet rabbit hole, we realized that he was from RI. His studio was less than an hour away...like everything in Rhode Island is, so our producer Kyle King made contact. Tom welcomed us into his world and shared his perspectives on some big themes and how his anxieties and fears about human consumption and plastic waste create the foundation of his medium for artistic expression. . Enjoy.

I'm Happy, I Promise / Short Film

I'm Happy, I Promise / Short Film

CREDITS: Director: Mimi Cave Written by & Starring: Parker Seaman Producer: Heron Bourke DoP: Tom Banks 1st AC: Kevin Hughes Featuring: Jon Milhiser, Whitmer Thomas, Monica Sherer, Maddy Whitby, Lou Wilson

SHOP: A Pop Opera | Adult Swim SMALLS

SHOP: A Pop Opera | Adult Swim SMALLS

An indecisive man's grocery trip is steadily impeded by strange characters and musical ruminations. Created by Jack Stauber for Adult Swim SMALLS https://ift.tt/2XWMdxs

Stereophonics 'Fly Like An Eagle'

Stereophonics 'Fly Like An Eagle'

Director – Charlotte Regan Producer- Natalie Steiner Exec Producer- Ore Okonedo Comissioner- Sam Seager Production Manager – Islay Leefe-Grffiths Production Assistant – Alice Hayes Production Runner- David Burridge DoP – Franklin Dow Focus Puller – Kate Eccarius Loader – Maggie Stann Camera Trainee- Chelsea Bernard Gaffer – Johnjo Besagni Electrician – Darren Pearson 1st AD – Danel Stoker Floor Runner- Harry Gardner Production Designer – Phoebe Darling Costume – Taff Williamson Hair & Make up Artist – Grace Ellington Medic – Paul Saddington at Quad Medical BTS Videographer – James Sheridan Catering – AGA AGA Casting – Claire Bleasdale Cast Dad – Charlie Creed-Miles Tyler – Kasey Bentham Hailey – Brooke Kelly Café Boy / Playground Boy – Freddie Samuels Café Lady – Susan Steiner Playground Boy – Yoni Roodner Playground Girl – Freya Green Playground Girl – Joy Adeogun Playground Girl – Kalyn Callan Haircut Friend – Conrad Williamson Biker Dad – Ashley Rilings Biker Tyler – Hayley Rilings Editor - Owen O’sullivan Edit – Marshall Street Edit Producer – Beanie Goldsmith Colourist – Luddy Post House – The Mill Post Producer – Ellie Thwaites Sound Design – Ben Adams Special Thanks to: Kelly Jones

Egg McMuffin - Director's Cut

Egg McMuffin - Director's Cut

To promote Mcdonald's Egg McMuffin, I worked with TBWA, on a campaign consisting of 15 'oddly satisfying gifs. This poject shows all my graphical search, as a director's cut. Check the behance for some making of :) https://ift.tt/2MtV8Uw Special tks to Adrobski for this awesome sound design !! Adrobski: - Insta : https://ift.tt/2KZvvHZ - SoundCloud : https://ift.tt/2Muvq2l

Lazy Susan

Lazy Susan

You might be one of the millions of people whose life was made a little bit easier by Susan and you don’t even know it.

Islandia

Islandia

Islandia is a non-narrative two minutes short drone film about primal beauty of Iceland. Islandia - is a Latin name for Iceland and relative to the old language since this film portraits primordial and rough nature of Iceland. For the short duration of the film, you will be transported to a place that easily could be a million years ago. From unbelievable landscapes and vast valleys to painting-like terrain and majestic waterfalls and lakes - this film shows the unparalleled beauty of Iceland and its unearthly glory. Please sit back and enjoy the flight. Technical info: - All footage shot on DJI Mavic 2 Pro. - Several ND filters from Polar Pro were used for filming. - I used Davinci Resolve 16 for editing, VFX, SFX, and grading. - Adobe Audition was used to mix soundscore. - Adobe After Effects were used for titles and minor fixes - Original music score by Luke Atencio and Ryan Taubert was licensed at Musicbed. - SFX are free samples by various creators and Singularity six by Film Crux.

Alexander Girard

Alexander Girard

Production Company: Dress Code (dresscodeny.com) Director: James Casey Executive Creative Director: Dan Covert Executive Producer: Brad Edelstein Head of Post Production & Operations: Tara Rose Stromberg Head of Production: Amy Dempsey Assistant Producer: Mayele Yebo Cinematography: Sebastian Slayter 1st Assistant Camera: Cameron Sizemore Gaffer: Bret "Dutch" Beimers 2nd Assistant Editor: Nick Stromberg Script: James Casey Art Director: Elena Chudoba Colorist: Daniel Orentlicher Production Coordinator: Jonathan Dontchev Editorial: No6 Editor: James Duffy Assistant Editor: Ryan Hennessy Senior Producer: Laura Molinaro Music + Sound: YouTooCanWoo Voiceover: Debra Kay Anderson Cast: Amy Auscherman Special Thanks to: AIGA, Braniff Airlines, Braniff International, Girard Studio, Herman Miller

Interlude

Interlude

A personal short film about an intervening period of time.​​​​​​ Illustration and Animation: Terence Ginja-Martinho Sound Design: QB Sound -- www.tgmartinho.com instagram.com/tginjamartinho

MY_BBY_8L3W

MY_BBY_8L3W

found footage video / 2014

Vampiro

Vampiro

Vampiro (Vampire) Crítica: elantepenultimomohicano.com/2017/07/23-festival-iberico-de-cinema-cortometrajes.html Crítica: cortosfera.es/cortometrajes/vampiro/ Críticas usuarios Filmaffinity: https://ift.tt/33Qg1i8 "The highway underpasses around Valencia is lined with women, catcalling the passing cars. A screenwriter picks up a prostitute to research a character of his new script. But he is looking for more than a body; he is looking for a story." Odense Film Festival 2017 "Las carreteras que bordean Valencia están punteadas de mujeres en busca de clientes. Un guionista recoge a una de ellas para documentarse para su nuevo trabajo. No busca un cuerpo, busca una historia." "Die Autobahnunterführung ist gesäumt von Prostituierten. Als vermeintlicher Freier spricht der Drehbuchautor Luis eine der Frauen an. Zu Recherchezwecken für sein neues Projekt wolle er sich mit ihr über ihre Biografie unterhalten. Doch was ist mehr wert: seinen Körper zu verkaufen oder die eigene Geschichte?" ----- Palmares (by december 2017): - World Premiere @ the 54th Gijón Film Festival. - Official selection @ the 2017 Odense Film Festival. - Best Short Film - Sant Joan Film Festival (2017) - Best Short Film - Islantilla Cine bajo la Luna (2017) - Best Short Film - Cineculpable (2017) - Best Actress - Medina Film Week (2017) - Best Actress - Sant Joan Film Festival (2017) - Best Actress - Festival de Cine Ibérico de Badajoz (2017) - Best Actress - Requena y Acción (2017) - Best Actress - Islantilla Cine bajo la Luna (2017) - Best Actor - Requena y Acción (2017) - Best Actor - Sant Joan Film Festival (2017) - Best Actor - Cineculpable (2017) - Honorable Mention Best Short Film - Cortopilar (2017) - Honorable Mention Best Script - Cortopilar (2017) - Honorable Mention Best Actress - Cortopilar (2017) - Nominated for Best Short Film - Premis Turia (2017) - Nominated for Best Director - Sant Joan Film Festival (2017) - Nominated for Best Script - Sant Joan Film Festival (2017) - Nominated for Best Cinematography - Sant Joan Film Festival (2017) - Nominated for Best Director - Cortopilar (2017) - Nominated for Best Actor - Cortopilar (2017) - Nominated for Best Acting - Cortos Bujaraloz (2017) Selected in 42 festivals: 2 of them from the Academy Awards' list and 13 from the Goya Awards' list.

WET (Dream Magazine)

WET (Dream Magazine)

Jennifer is in a waiting room of a piano audition, bored, when she observes a classic painting of a feminine body that is right in front of her. She is so fascinated by it that she gets absorved by the image, which takes her to new sensorial worlds. Video for Dream Magazine dream-magazine.com DREAM is a printed magazine and an online moving image platform that observes objects from fixation and curiosity. A project that gives special importance to its participant´s different points of view and the relations they establish with artifacts, stimulating the readers through a powerful visual content. A project produced by Malditos produce malditosproduce.com/ Shot on 35 mm Starring Jennifer Bucovineanu Writer and Directed Nur Casadevall Director Of Photography Oriol Barcelona Executive Producer Andreu Vidal Producer Angie Quintana Blanca Ballasté Production Manager Mireia Arasa Art Director Cristina Ramos 1st AD Ona Jané Production Assistant Martí Torrebadella Ferrán Cano 1st Assistant Camera Lucas Casanovas Assistant Camera Frankie a Ronda Loader Edu Coll Gaffer Ferran Serra Spark Pau Carné Genis Serra Martí Herrera María Gonzalez Alex Simó Adrià Pardo Art Assistant Maximiliano Segovia Marina Perez Alba Aldán María Morató Stylist Jess Monterde Stylist assistant Cris Latorre FX on set Salvador Santana Hair & Make-Up Rúben Mármol (Kasteel Management) Still Photo Berta Pfirsich Casting Director Blanca Javaloy Editor Carlos Font Clos Sound design Marc Bech Music Nil Ciuró Color Grading Yulia Bulashenko Postproduction Artic Credits &Poster Design Querida Studio Dream Identity & Web Desing Folch Opera Singer Carmen Mateo Aniorte Piano Olivia Font Piano Teacher voice Zico Judge Foley Artist Albert Ribas Foley Mixer Albert Pipió Postproduction sound facilities Coser y Cantar Estudio Extras Roc Montoriol Oriol Cabarrocas Special Thanks Futur2 Blow Models Mac Cosmetics and Moroccanoil Cinelab London

Oscillation

Oscillation

Back and forth, forward and back. Mastery on the bike comes from constant repetition. Whether it’s your hundredth time down a trail or you’re about to drop into a new one for the first time, steady, well-rehearsed motions are what will get you through. So ride fast and send it deep, because the Slayer is built for those who charge. www.bikes.com/slayer Presented by: Rocky Mountain Director/ Edit: Liam Mullany Featuring: Thomas Vanderham, Rémi Gauvin, Carson Storch Cinematography: Harrison Mendel, Liam Mullany Produced by: Liam Mullany, Stephen Matthews Assistant camera: Noah Dorsey, Max McCullough Colourist: Sam Gilling Post-production Sound: Keith White Audio Still photography: Margus Riga Thanks: Ron Penney, Landmark Trail Works, Carlos Zumino, Riley McIntosh, Mark Wallace, Matt Edleston, Dylan Cobern. Music: “Long Distance”, Written & Performed by Luke Atencio, Licenced through Musicbed. “Crow”, Written by Matthew Barnes, performed by Forest Swords, Courtesy of !K7 Music GMBH. Published by Just Isn't Music (justisntmusic.com). “Communicate”, Written & Performed by Jeremy Wallace Maclean.

Maurice

Maurice

Drama / 2015 / 13 min. In French with English subtitles. Synopsis: Everything would be fine. Maurice had made up his mind. He had made a list: pick a date, announce his retirement, sell the car, see old friends, and empty the garage. Then, die with dignity. Director: François Jaros Screenplay: Marie-Eve Leclerc-Dion, François Jaros Production: Fanny-Laure Malo, François Jaros (La Boîte à Fanny) Starring: Richard Frechette, Alice Pascual, Fred-Eric Salvail, Yves Jacques Cinematography: Olivier Gossot Music: Philippe Leduc Editing: Michel Arcand Production Design: Eric Barbeau Sound: François Grenon, Jean-François Sauvé, Luc Boudrias Best International Short Film - Fantasia Film Festival 2015 Meilleur court métrage – Gala du cinéma québécois 2016 OFFICIAL SELECTION Palm Springs International Film Festival, Fantasia, Seattle International Film Festival, Regard sur le court-métrage, Flickers : Rhode Island Film Festival, Vancouver International Film Festival, Festival du cinéma en Abitibi-Témiscamingue, HollyShorts Film Festival, Festival de cinéma de la ville de Québec, Tallgrass Film Festival, FICFA, Woods Hole Film Festival, Newport Beach Film Festival.

U SHOOT VIDEOS? (Presented by Adorama)

U SHOOT VIDEOS? (Presented by Adorama)

A Film by Morgan Cooper Presented by Adorama Produced by Johnny Starke & Jacob Waldner BEHIND THE SCENES: https://www.youtube.com/watch?v=lwMnEMLqhA0

GIFs

GIFs

a collection of my latest gifs. animation, sound: nata metlukh cat sound: nicolas martigne

Jello

Jello

Based on their lives and written by the performers themselves, this short ballad introduces Slow and De, two young drifters caught in a cycle of fear and love, survival and dependency.

BILLY

BILLY

Watch Billy on @nowness now. Featuring @stingraybilly @1frans @baileystorms Director @franciscosendino DoP @jandavidgunther Production Company @saltwaterfilms EP @dustin_schoene @m_nmnn Producer @_gerrits @letsstartacult Editor @davidgesslbauer Colorist @danieldevue_colorist @a52color Styling @zarasaidane @vmagazine Art Director @franciscosendino Focus puller @sebastianlrfilm Steady Cam @steadical Music @stefanbenz @uneonsound Music Consultant @lukasheerich Nowness comissioner @marleyhansen Intro Track @_blvth_ Thank you @thechrisdodds @madebylimbo @diesejakob @mslaggert @gingerxmassivemusic @2weimusic @tro_music_services Shot on @kodak_shootfilm

MACHINE GUN MAMA

MACHINE GUN MAMA

The adventures of a llama lady that is a super mom by day and a thrill seeking criminal at night. This animated short is edited at breakneck speed and introduces kickass characters in a fake intro for a fictional TV-series. The film was made for the 50th anniversary of the Swiss Animation Group and is currently in the festival run. Directors: Marwan Abdalla Eissa, Justine Klaiber Producer: Beni Morard Storyboard: Beni Morard, Justine Klaiber Design: Justine Klaiber Animation: Justine Klaiber, Nina Christen, Frederic Siegel, Beni Morard Compositing: Marwan Abdalla Eissa Sound Design: Frederic Siegel Music: Jakob Eisenbach Jazz Ensemble: Marco Roos, Raphael Kalt, François Lana, Philipp Saner, Marcio de Sousa, Benedict Schönenberger, Lukas Brügger, Niculin Janett Mix: Thomas Gassmann https://ift.tt/2YJ9hTs

Beautiful Chaos

Beautiful Chaos

"Chaos it said to be the opposite of order, and order, the basis for beauty. But that doesn’t mean that chaos can’t be beautiful too"Joel Meyerowitz Directed by Fernando Livschitz www.bsfilms.me https://ift.tt/2sHuiuy www.facebook.com/ferliv

Twista's Sign Language Interpreter Absolutely Steals The Show With Her Signing Of His Rapidfire Rap

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Twista's Sign Language Interpreter Absolutely Steals The Show With Her Signing Of His Rapidfire Rap
Damn. Amber Galloway Gallego, a sign language interpreter who specializes in interpretation of concerts, has got some serious moves.

Lions in the Corner

Lions in the Corner

In Virginia, Scarface started Streetbeefs in his backyard to combat gun and knife violence in the area. Soon it turned into something much more. Director: Paul Hairston Editor: Cavan J. Faucett Cinematographer: Gaul Porat Steadicam: Calvin Falk Assistant Camera + Focus: Sinclair Neff Sound: Matthew Seeden Production Assistants: Andrew Tomassone and Joaquin Sosa Pyrotechnics: Gaelen Smith Additional Cinematography: Matt Ballard Additional Camera Assist: Noah Fowler Producers: Jake Ewald and Tripp Kramer Production: Acres Executive Producers: Matt McLaughlin and Andrew Simkiss Heads of Production: Julie Hershan and Christian Silberbauer Original Score: Tobias Norberg Color: Josh Bohoskey @ The Mill NY Sound Design + Mix: Geoff Strasser @ Mr. Bronx Special Thanks: Streetbeefs, Matthew Schaff, Brent Finnegan, The City of Harrisonburg, Chris Wilmore, Gavin Brivik, Sophia Pilar, Will and Susy Hairston, The Smith Family, Kazim Karaismailoglu

Bodega

Bodega

2018 | Comedy | English, Arabic | 12 min. A Syrian deli owner and a high school girl with a fake ID find common ground on one winter night in Brooklyn. **Watch to the end for a little post-credit scene.** Performances by Laith Nakli, Adham Murched, Mirabella Raschke-Robinson, Bella Danieli, Bryan Fitzgerald, and Nadia Affolter. Written, Directed, and Produced by Rebecca Halfon Produced by Gabby Green Edited by Rebecca Halfon & Max Rothman Cinematography by Ramsey Fendall Music by David Su 1st AD: Molly Gillis 1st Assistant Camera: Margaret Sclafani 2nd Assistant Camera: Kristo Jorgenson Key Gaffer: Hadrien Gass Casting: JohnMichael Mitchell, Charlotte Arnoux Sound Mixer: José Díaz Rohena Color: Na Thirakomen Script Supervisor: Francesca De Fusco Sound Recordist: Connor Donahue Boom Op: Tim McQuaid Translation: Sarah Moawad and Pam Nasr Hair and Make-Up: Carmilla Cunny Production Assistants: Alex Chouraqui, Zack Green, Nastasya Popov, Emily Nunes WORLD PREMIERE // 2019 SXSW FILM FESTIVAL

THE GARDEN - THY MISSION

THE GARDEN - THY MISSION

DIRECTED BY NADIA LEE COHEN AND CHARLIE DENIS

Almost Perfect.

Almost Perfect.

In June, I travelled to Tokyo to make a film about a creative residence called Almost Perfect. Located in a quiet, downtown area, it’s as if the crazy neon lights and packed streets that everyone imagines when they picture the city have vanished and been replaced by cyclists, applied artists and locals peacefully going about their day. It’s run by two people (Yuka and Luis Mendo) and a cat (Señor), who all also live in the house. Oh, and the building is a 100-year old ex-rice shop. The video is about who they are, what they do, and the city it all happens in. Making this film was an absolute joy, massive thanks to Luis and Yuka, Anton (who produced the music), and everyone else I met along the way (especially Señor!) instagram.com/ryangasparini almostperfect.jp

3 portraits

3 portraits

3 digitally sculpted portraits. Project - > https://ift.tt/307UDTc instagram.com/___c__o__l__i__n___/ facebook.com/colintoup/

Stephen Colbert Anderson Cooper

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Stephen Colbert Anderson Cooper
The late night host candidly reveals his philosophy on coping with loss.

SERVER ROOM

SERVER ROOM

Short film Based on Richard Brautigan poem “All watched over by machines of loving grace”, 1967 Dystopia is no longer tomorrow. It is here, now and today. Entropy is real and will never stop. That’s how we understand R. Brautigan’s poem when we read it today. That’s what it means to us. He may have written it in a much more optimistic way in a much more optimistic time… Or was he being sarcastic? Today everything has changed, global warming scares us, the harmony between nature, animals and human beings is broken, we are scared of our place in the ecological environment, we are disorientated. We are hoping technology can solve our problems, but instead it takes us away from reality and no matter what, we can’t resist. In “Server Room”, we develop an enigmatic universe where an AI tries to recreate this balance between mammals and computers, but this attempt only produces distortion and monsters, each attempts to “watch over” goes wrong, we’re not sure if there is a happy end here. This is a first step before another short film which will follow next year, set in a totally different world, but revolving around the same emergency. Really thankful to all the team to make it happen First all the actors ! Artificially light capture ✨: Victor Seguin (https://ift.tt/2Mfrqme) Mechanical edit ⚙️ : Zofie Taueber (https://ift.tt/2KLaJeZ) CGI wizard : Benoit Filliat (https://ift.tt/2Mg3rDg) liquids simulations : St Louis post house (https://ift.tt/2EH8Ije) Extra cold beatz ❄️: Nik Void (https://ift.tt/2MfSiCn) Costumes conceptualisation : Camille Hernandez (https://ift.tt/2KHPTgN ) Colors Master ��: Sylvain Canaux (@ St Louis post house) (https://ift.tt/2Mfoc20) Sound space balance mastering : Kouz (http://kouz.fr/) Titles distortions :Valentin Dauteuille (https://ift.tt/2KPKIvo) Artificially Powered by ⚒ http://pac.fr/ & https://ift.tt/2Mg3uPs

Max Cooper - Perpetual Motion (Official Video by Nick Cobby)

Max Cooper - Perpetual Motion (Official Video by Nick Cobby)

MAX COOPER Thanks for having a look at the first video from my next audio-visual album coming later this year. The whole project was a commission from the Barbican centre in London, where they do a lot of great events, I've seen many of my favourite gigs there. So I wanted to prepare something special, and something intense, using the structure of the beautiful hall there as a canvas for the show. Their brief was around emerging new technologies and how they're changing society, so I tried to boil the whole process down to its fundamentals which I could visualise and write music for - which spawned "yearning for the infinite". The idea being that we're locked in our societal- and nature-driven pursuit of growth and knowledge and more, always more. I had come across some really beautiful ideas for visualising the infinite which I'll tell you more about later as the content comes, and I decided to combine these abstract visualisations with stories of us, in our endless activity as part of the systems in which we exist. This also gave me the potential for the scale and intensity I wanted to create for the project. This particular chapter comes later on in the show when both the human story and the abstractions (transcendental digits from Martin Krzywinski, aperiodic tiling from Jessica In and dividing surfaces from Andy Lomas) start to merge. The great visual artist and long term collaborator Nick Cobby had time in Mexico city which seemed an amazing opportunity to capture this dense human activity, and once again he's created another of his tightly synced and detailed masterpieces, many thanks Nick! I recommend watching on a big screen where possible. Lots more to come soon, thanks for watching and listening. NICK COBBY Max's idea for Perpetual Motion was to document the continuous movement of people, exploring how there is no inherent meaning in life, only our own meaning which we create through striving towards our goals. When we discussed the idea of the film, Max and I felt Mexico City was the perfect place to use as a canvas. A sprawling metropolis of 9 million people, all packed in tight and some really interesting land forms and architecture. I then got the idea of using drones when scouting for locations on Google Earth. There were some amazing geometric forms that when viewed from above give an entirely different perspective of the city. I was really interested in the juxtaposition of these orderly forms with the irregular, disorderly chaos confined within it. For me it really helped push the idea of living as part of a perpetual system. I collaborated with 3 very talented Mexican photographers who shot some incredible footage for me, Manuel Marañón, Roberto H and Santiago Arau. It was a pleasure to collaborate with them and I hope the film can be shown in Mexico some time soon. For the animation side, I collaborated with Andy Lomas and Jessica In, integrating their forms frame by frame into the drone footage with my own point data, aiming to create unexpected transitions and connections between reality, hyper realism and the hidden systems beneath. Music & Concept: Max Cooper https://maxcooper.net/ @maxcoopermax Directed: Nick Cobby https://nickcobby.com @nickcobby Drone Photographers: Manuel Marañón https://ift.tt/33xXtTI @quinque.work Roberto H https://robertoh.mx/ @dronerobert Santiago Arau https://ift.tt/2Tx1eEc @santiago_arau Animators: Nick Cobby Andy Lomas

Carpark Moon

Carpark Moon

Each night I try to climb to the top. Thanks to Joe Basile for sound - Hear more of his work at https://ift.tt/2MXg43q

The Mane of a Virgin Horse

The Mane of a Virgin Horse

STARRING Mitzi Ruhlman Charlie Rodger Nick Handas Written and Directed by Ben Fitzgerald Cinematography by Jake Hunter Produced by Jed Simkins 1st AC Miller Best 2nd AC Hugo Odgers Gaffer Pat Weicks Sound Lara Cross Hair and Make Up by Dexter Lola Colour Grade by Jonny Thorpe Special thanks to Exit Films, Pundersons Gardens, BWGTBLD & Glassworks VFX Pat Kelly, Lee Kelly, Mark Kavanagh, Jacque Riley and the Clarke Family.

Henry Diltz | Vol.3: Woodstock

Henry Diltz | Vol.3: Woodstock

On August 15, 1969, half a million people celebrated peace and love for 3 days and 3 nights. Henry Diltz was there, capturing it all. He was the official photographer and took thousands of photos and several rolls of super 8 film of the historic event. Sit back and hear his incredible story, through his lens. Directed by Scott Hanson Cinematography by Amado Stachenfeld Creative Consultant | Janolof Fritze Film + Images by Henry Diltz Titles by Buddy Bojorquez Produced by Keeper In association with Big5 Films

This Twitter Thread Of A User Interacting With Amazon's 'Fulfim

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This Twitter Thread Of A User Interacting With Amazon's 'Fulfim
Amazon's "FC Ambassador" program is weird to begin with, but it got all the weirder on Wednesday, when Twitter user Diana Wilde responded to a tweet from Amazon offering tours of fulfillment centers

Guinness - Liberty Fields | The Pioneers of Women's Rugby

Guinness - Liberty Fields | The Pioneers of Women's Rugby

Guinness - Liberty Fields | The Pioneers of Women's Rugby Directed and 16mm shot by Mackenzie Sheppard Edited by Aika Miyake Music by AudioForce Prod Co. STINK London

"WHODAT" by NOLA IS CALLING - New Orleans

"WHODAT" by NOLA IS CALLING - New Orleans

Extracted from the album SEWING MACHINE EFFECTS Directed by Fanelie Muselier https://ift.tt/2z3m7NS @ Jarring Effects Label (03.01.2019) Buy / Stream the Album here : https://ift.tt/2OX9RcR "Its nice that" chronicle about Fanelie Muselier http://bit.ly/2YOQbw4 Suscribe to Jarring Effects channel: https://goo.gl/TJuKkM Music : All tracks are composed by Nola Is Calling, written by Nola Is Calling, performed Nola Is Calling. Vocals : Big Chief Jermaine Bossier & Big Chef Romeo from #79rsgang, Bonaventure Didolanvi, HaSizzle & David Walters. Beatmaking, FX, Percussions baschet : David Walters Cello : Olivier Koudouno Percussions/Drums : Bonaventure Didolanvi, Big Chief Romeo Produced by David Walters Executive Production : David Morel Artistic Direction: Céline Frezza, Elodie Maillot Recorded behind the Moonshine Shack of Piety Street – New Orleans – Louisiana. Recording Engineer : Emmanuel Perrot. Mixed by Céline Frezza @ Jarring Effects Studio – Lyon – France. Label : Jarring Effects Label (Lyon – France) Promotion : presse@jarringeffects.net Distribution : L’Autre Distribution (contact@autredistribution.fr) Design : Hélène Bertholier Infographie : Anne Sophie Leens Partenaires : La Ville de Lyon / L'institut Français / SPPF / FCM / ADAMI / Région Auvergne Rhône-Alpes Thank You: A special thank to you New Orleans! We loveyour brilliance and inspiration ! Thank you Rusty Lazer, Béatrice Germaine and Scott, The Music Box, Arno Bitschy, David and Malaika Ludman, Emmanuel Perrot, The 79rs Gang, The 9th Ward Hunters Gang, The 7thWard Creole Hunters Gang,The Vibe, Enora Leroux, Big Chief Jermaine Boissier & Big Chief Romeo ‘s families, Benjamin Galand, Léa Lamy, Léo Mendez, Mélanie Sodaymay, Geneva airport’s crew, Stacy Hoover and Wonderland…

Elle pis son char

Elle pis son char

Elle pis son char Court métrage documentaire | 2015 | 28 min | Produit par Loïc Darses et distribué par Travelling Distribution A Woman and Her Car Documentary short film | 2015 | 28 min | Produced by Loïc Darses and distributed by Travelling Distribution 31 décembre 2003. Poussée par un puissant instinct de survie et de liberté, Lucie décide d’écrire une lettre à l’homme qui a abusé d’elle de l’âge de 8 ans à 12 ans. Après quoi elle prend sa caméra, son char et se résout à lui porter cette lettre en main propre, où qu’il soit. But : redonner à son agresseur la honte et la douleur subies à tort pendant toutes ces années. December the 31th, 2003. Driven by a powerful instinct for survival and freedom, Lucie decides to write a letter to the man who abused her from the age of 8 to 12 years old. She then takes her camera, her car and resolves herself to bring him this letter in person, wherever he may be. Purpose: give back to her aggressor the shame and pain she withheld wrongly for all theses years. Scénario et réalisation. Loïc Darses Idée originale et images MiniDV. Lucie S. Tremblay Direction de la photographie. Hubert Auger Montage. Amélie Hardy Datamoshing. Louis Turcotte Prise de son. Philippe Lefebvre Musique originale. Max Romain Mixage. Clovis Gouaillier Avec. Lucie Tremblay, Loïc Darses et Yohann Darses Screenplay and directing. Loïc Darses Story and MiniDV images. Lucie S. Tremblay Cinematography. Hubert Auger Editing. Amélie Hardy Datamoshing. Louis Turcotte Sound. Philippe Lefebvre Music. Max Romain Sound mixing. Clovis Gouaillier With. Lucie Tremblay, Loïc Darses and Yohann Darses En compétition | Sundance Film Festival (2016) En compétition | International Film Festival Rotterdam (2016) Grand Prix du meilleur court métrage | Plein(s) Écran(s) (2016) Prix du meilleur court métrage documentaire | Rendez-vous Québec Cinéma (2016) Prix du Jury | Busan International Short Film Festival (2016) Prix du meilleur court métrage étudiant | Molodist Kyiv International Film Festival (2016) Mention spéciale du Jury | Rencontres internationales du documentaire de Montréal (2015) Prix AQCC, Prix TV5/UNIS.TV et Prix INIS | Gala Prends ça court! (2016) Mention spéciale du Syndicat français de la Critique | Poitiers Film Festival (2015) Mention spéciale du Jury | Festival international du court métrage au Saguenay REGARD (2016) Mention spéciale du Jury | Geneva International Film Festival (2016) Mention spéciale du Jury | Belo Horizonte International Short Film Festival (2016) Prix du meilleur court métrage documentaire | Festival Partie(s) de Campagne (2016) Prix du meilleur court métrage documentaire | Montevideo International Film Schools Festival (2015) Prix du meilleur court métrage | Festival Vues sur mer (2016) Mention spéciale du Jury | Cinema on the Bayou Film Festival (2016) Grand Prix du meilleur court métrage | Festival Signes de Nuit à Paris (2016) Grand Prix du meilleur documentaire | Festival Signes de Nuit à San Miguel de Tucumán (2016) Prix de Nuit | Festival Signes de Nuit à Bangkok (2016) Prix de Nuit | Festival Signes de Nuit à Urbino (2016) Prix Signes | Festival Signes de Nuit à Berlin (2016) En compétition | Hamburg International Short Film Festival (2016) En compétition | Festival Off-Courts Trouville (2016) En compétition | Festival de cinéma de la ville de Québec (2016) En compétition | Festival international du cinéma francophone en Acadie (2015) En compétition | IndieLisboa (2016) En compétition | Festival international du film policier de Liège (2016) En compétition | Festival international du film de Belgrade (2016) En compétition | Jahorina Film Festival (2016) En compétition | Tel Aviv International Student Film Festival (2015) En compétition | National Taïwan University Film Festival (2016) En compétition | Sehsüchte International Student Film Festival (2016) En compétition | National Taïwan University Art Festival (2016) En compétition | Tabor Film Festival (2016) En compétition | Festival international du film ethnographique du Québec (2016) En compétition | IndieSpace Theater (2016) En compétition | Festival international du film de Calgary (2016) En compétition | Carrousel international du film de Rimouski (2016) En compétition | St. Louis International Film Festival (2016) En compétition | Rendezvous with Madness Film Festival (2016) En compétition | Anchorage International Film Festival (2016) En compétition | Kasseler Dokfest (2016) En compétition | CineMAiubit International Student Film Festival (2016) En présentation | Short & Sweet au Centre culturel canadien à Paris (2016) En présentation | Talent tout court au Centre Phi à Montréal (2016) En présentation | Cinema Politica à Montréal (2016) En présentation | Zagreb Film Festival (2016)

UNITY

UNITY

https://ift.tt/2yXcPTO video by Rus Khasanov music by Dmitry Evgrafov (https://ift.tt/2N20wgX) There is a story that prompted me to create this project. It is about how creative challenges and difficulties become the basis for new ideas. Even with my extensive experience working in this style, which I created randomly and developed my style with each new project, sometimes it’s hard to take not a “random beauty”, but a specific shot, precise movement, and you can spend several hours of hard work stubbornly searching for the right shot, or even a few days. This was last fall, I was called for commercial shooting in Seoul. We had 3 shooting days. The central idea was to get this shot: two paint balls on a clean colourful background merge into one big ball. It sounds pretty simple, but really... no matter what I did, such a shot did not work out in any way, any tricks, influences came down to one result: the paint balls simply burst and the paint settled a bright spot to the bottom. Or the paint balls froze for minutes side by side and then burst. For all these shooting days, a bursting paint ball was a real nightmare for me. A lot of beautiful footage were shot, but I couldn’t catch the main footage. Only on the last day of filming I did get the required few footage for merging paint balls, but it's chance and luck. A couple of months later, as a result of experiments with various ingredients, I found an easy and stable way for the paint balls to be attracted to each other, merged and not burst. When you master the technique, you can already playfully turn the flaws into advantages: now in the bursting paint ball I see not a nightmare, but a bright colorful explosion which reminds me of fireworks. Also in this video, the bokeh effect plays a major role. Some people reproach me that my work is not sharp, and that I shoot with a small depth of field, but I never saw this as a problem, but on the contrary, I see this as beauty.

HONOUR

HONOUR

On a planet far away, a primeval creature gets banished by the chief of its tribe. Exiled and with the burden of a disgraced honour, it sets foot into the unknown land beyond its home, where it finds an intriguing alien concept to take vengeance. written, directed & animated by: Frederic Siegel music & sounddesign: Skillbard produced by: Frederic Siegel, Team Tumult special thanks to: Beni Morard, Marjolaine Perreten, Marwan Abdalla Eissa, Justine Klaiber, Nina Christen, Kilian Vilim, Swiss Films Switzerland 2018 https://ift.tt/2O9sUM1

Three Years Of Misery Inside Google

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Three Years Of Misery Inside Google
Sexual harassment. Hate speech. Employee walkouts. The Silicon Valley giant is trapped in a war against itself. And there's no end in sight.

L'HOMME AUX OISEAUX // The Man With Birds

L'HOMME AUX OISEAUX // The Man With Birds

Un village de montagne bloqué par la neige attend la venue de l'Homme aux oiseaux, qui annonce la fin de l'hiver. //The Man with Birds // Seasons turn and spring is sprung when a boy flies the coop but lands the flock. Sélections en festivals (en cours) : - Festival International du Court-Métrage de Clermont Ferrand 2018 (compétition Jeune Public, "Coups de cœur Brefcinema.com") - Festival national du film d'animation de Rennes 2018 - Festival International du film d'animation de Stuttgart (ITFS 2018) - Festival international de court-métrage de Dresden 2018 (programme « Open Air ») - Australian International Animation Festival 2018 (AIAF 2018) - Festival international du film d'animation de Zagreb (Animafest 2018) - Festival International du film d'animation d'Annecy 2018 - Melbourne International Animation Festival (MIAF 2018) - Festival du film d'animation de Savigny (FFAS 2018), Suisse - Film Festival della Lessinia 2018, Italie - Festival de Hiroshima 2018 (programme "Stars of Students"), Japon - Festival Silhouette 2018, Paris - Festival de Câmpulung, Roumanie 2018 - Fantoche International Festival 2018, Suisse - Animatou, Suisse 2018 - KLIK, Amsterdam 2018 - VAF, Viborg animation festival, Danemark 2018 - Sitges Film Festival 2018, Espagne - Festival du film St Paul Trois Châteaux, France 2018 - Animateka, Slovénie 2018 - Sommet de l'animation, Quebec 2018 - BIAF, Corée du sud 2018 - Primanima, Hongrie 2018 - Flensburger Kurzfilmtage, Allemagne 2018 - Ilecourts, France 2018 - Alma d'Arte, Italie 2018 - New York International Children Film Festival, Etats-Unis 2019 - Play Lisbon, Portugal 2019 - Earthx Film Festival 2019, Dallas 2019 - Fest Anča International Animation Festival, Slovaquie 2019 -Le CINEMA sous les ETOILES 2019 -New Zealand Film festival 2019 -Cervino Mountain Film Festival, Italie 2019 Récompenses : - "Coups de cœur Brefcinema.com" /// Festival International du Court-Métrage de Clermont Ferrand 2018 - Mention Special JURY AWARD: BEST ANIMATED SHORT /// New York International Children Film Festival 2019

Righteous Energy

Righteous Energy

Light, with the zeal and energy of an autonomous force, moves through a city, reflecting, refracting, abstracting. This film was made mostly with in camera effects and with additional computer animation techniques.

James Blake - 'Can't Believe The Way We Flow'

James Blake - 'Can't Believe The Way We Flow'

Crew Director - Frank Lebon Production Company - Camera Club Executive Producer - Anastasia Ehrich Producer - Nat Baring, Jill Ferraro Production Coordinator - George Young, Celeste Doig Production Assistant - Maria Grierson, Ed Sullivan Location Manager - Celeste Doig Dir of Photography - Molly Manning Walker Gaffer - Rory Cole 1st AC - Rory McLean Focus Puller - Benji Kirknan Loader - Saskia Dixie, James Wicks Grip - Tom North Grip Assistant - Brendan Senden BTS - Toby Haygarth Colour Grade - Joseph Bicknell at Company3 Sound Design - Will Berger Film development - Cinelab UK Costume Designer - Edie Ashley Costume Assistant - sashadavai, Kenya Lendo Cupid Jewellery Designer - Claire Barrow Make-up Artist - Andrea Gomez Anzola, Riona O'Sullivan, Natasha Lawes Hair & Make-Up - Elaine Lewanski Executive Casting Director - Camilla Arthur Casting - Maxine Lankitus, Sarah Small, Charlotte Roberts, Rae Elliman Moral Support - Uncle C Cast Bed - Alfie & Lucy Moving In - Narx & Cece First Time Sex - Issy & Sam Deathbed - Kenny & Nivashni Pregnant - Niamh,Bellamy & Tim Smokers - Joel & Edie Cooking - Nat & Bex Young & Old - Sophie & Declan Mirror - Geroge & Jill Illness - Calvin & Mia Babymum - Alicia & Mickey Roller Bladers - Lex & Teta Bus Stop - Carolynne & David Swimmers - Adam & Allie Gimp - Miss Ivy & Bobette Magicians - Rachel & Benjy Wedding - Nancy & Alex Chess - Bafic & Claire Nun & Preist - Jess & Josh Kids - Bonnie & Jack Teacher - Camilla Teenagers - Theo, Phoebe & Poppy Homeless - Zane & Florie James Blake - James Blake Falling Kiss - Dan & Eleanor Moving In - Ben & Kush Prison - Tristan & Phil Tall & Small - Karen & David Partygoers - Suren & Erinn Karate - Jeska & Harrison Dentist - Frank & Carmen Oligarch & Wife - Andrew & Madeline Stripper - Lauren & Shem Airport - Daphne & Valentine Cupid - Mark Lebon Animator - Orfeo & Phoebe Off To Work - Ben & Dudley Special Thanks Gimme5 Tyrone Lebon Mary Jane Michael Koperman Dinny Hall

We Tried to Do Vanlife Right. It Was a Disaster.

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We Tried to Do Vanlife Right. It Was a Disaster.
What happened when one writer looked beyond the open road, the staged snapshots and the hashtag.

The Black Rebel

The Black Rebel

A film by Christopher Stoudt. Produced by Emmet McDermott. https://ift.tt/33vZwb1

The Freak

The Freak

The story of a Freak with a face only a mother could love... Written, Directed, Animated, and Narrated by Grant Kolton Original Music by Michael O'Konis

Dear Enemy - The Journey of Bashir

Dear Enemy - The Journey of Bashir

An abstract visual journey based on the true story of Bashir Ramathan. Production Company: Friends & Fellows Director: Arne Totz Director of Photography: Paul Meyers 1st AC: Adrian Kuchenreuther Producer: Thomas Rentschler, Tobias Bucher Service Production: Talking Film Uganda Service Producer: Derrick Kibisi, Paul Kabango, Sam Etiang Production Assistant: John Oryang Gaffer: Emmanuel Gashumba Electrician: Yasin Ssonko, Moze Moze Bestboy Electric: Meddie Kalyango Key Grip: Kenneth Ssentamu Grip: Fahad Kyazze, Walter Nyonyintono Bestboy Grip: Alex Ssuuna Genny Operator: Micheal Mmujimba Genny Truck Driver: Baker Art Director: Tristan Zitoni Props Master: Felix Kiracho Props Assist + Van: Moses Kirya Art Department PA: Chris Mondo Talent Manager / Translator: Akodi Editor: Matt Osborne Assistant Editor: Nik Kohler Colorist: Marina Starke VFX: NHB Munich Composer: Jakob Balogh Sound Designer: David Herbst Copywriter: Arne Totz, Vicky Jacob-Ebbinghaus Voice Over Artist: Isaac Simba Title Graphic Design: David Herbst Talents: Bashir Ramathan Khamis Ramathan Vincent Kirago Special Thanks: Mukungu Hassan Khalil Mukungu Hussein Khalil East Coast Boxing Club Victoria Breu Jack Jensen FGV Schmidle Shot on location in Kampala, Uganda. Check out the RAW Behind the Scenes: https://ift.tt/2T2VSjV Footage available for licensing on www.filmsupply.com https://ift.tt/2daOKLX

Won't You Be My Neighbor: An Anti-Hate Pop Culture Syllabus

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Won't You Be My Neighbor: An Anti-Hate Pop Culture Syllabus
Media and entertainment grounded in empathy are a critical part of a saner culture — we can all help by actively producing, seeking and supporting it.

FLIGHT 566 TO BEIRUT

FLIGHT 566 TO BEIRUT

Adrien was born under shelling in a hospital basement north of Beirut during the civil war which once ravaged the peaceful and prosperous Lebanon. We had been talking about doing a Mediterranean strike mission for a while over a few glasses of Rioja in Biarritz and we floated the idea of the Lebanon. Adrien spoke of a mythical slab near where he was born that has never been surfed called ‘Yours’, and spoke of his yearning to return home to surf it. So there we were, three weeks later having watched a developing swell chart. We disembarked Flight 566 to Beirut, and stood at Lebanese passport control being asked by men with handsome moustaches and heavily braided shoulders as to our intentions. We left 5 days later wearing wry smiles, humbled by the overwhelming welcome we were met with. Humbled by the quality of waves and the surf culture in it's infancy. A modern, progressive society reflected in its gentle people, keen to disparage the ghouls of the past and to show the rich cultural and social heritage of their beautiful nation. A beacon of liberty, tolerance and prosperity in the Middle East. Lebanon, its waves and culture has some bright days ahead. Supported by Vans “When I arrived in Beirut from Europe, I felt the oppressive, damp heat, saw the unkempt palm trees and smelt the Arabic coffee, the fruit stalls and the over-spiced meat. It was the beginning of the Orient. And when I flew back to Beirut from Iran, I could pick up the British papers, ask for a gin and tonic at any bar, choose a French, Italian, or German restaurant for dinner. It was the beginning of the West. All things to all people, the Lebanese rarely questioned their own identity.” Robert Fisk, Pity the Nation: The Abduction of Lebanon

Kaleidoscoping

Kaleidoscoping

Water as a cleansing, invigorating, distortional, and transitional space. This video was made by printing out each frame of animation using a risograph printer. Coloring and Layout Assistance - Lula Ochoa and Emily Malone My Swimmers - Lula Ochoa, Audrey Bandrowski, Julia Holsten, and Arius Ziaee Additional Camera Work - Savannah Perry Music by Ilai - http://ilai.link Thank you to the Calarts Risograph Printing Techs, especially Emma Berliner and Noah Chang

Accused Sex Trafficker And Wealthy Financier Jeffrey Epstein Found Dead By Suicide In Manhattan Jail

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Accused Sex Trafficker And Wealthy Financier Jeffrey Epstein Found Dead By Suicide In Manhattan Jail
Epstein, 66, was being held on federal sex trafficking charges.

“Paramour” Anna Meredith

“Paramour” Anna Meredith

Directed by Ewan Jones Morris Lego Engineering by Gary Davis Produced by Rachel McWhinney Additional props by Chloe Lamford Grade by Conner Coolbear at Electric Theatre Collective Many thanks to the Somerset House Studios team and the Somerset House Trust

Freelance

Freelance

A glimpse into the isolating world of a freelance motion designer. - - - - Case study available at jamestupper.com/play/freelance

Will Ferrell Went On Every Single Late Night Show As Ron Bur

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Will Ferrell Went On Every Single Late Night Show As Ron Bur
The actor appeared simultaneously on "Conan," ​"The Late Show," "The Late Late Show," "Late Night With Seth Meyers," "Jimmy Kimmel Live!," and "The Tonight Show."

BIRKENSTOCK- AN ODE TO FEET

BIRKENSTOCK- AN ODE TO FEET

An ode to the bare feet of Venice Beach, California... Written and Directed by Ace Norton Produced by Lars Ruch & Kevin Dalit Creative Director Seyna Van Der Linden Production Company Commondeer Films Agency Karla Otto For Birkenstock Director of Photography Mike Reyes Production Designer Andrea Leigh Edited by Micah Levin Camera Assist Joshua Cote Colorist Marshall Plante Starring The Feet of Venice Beach: Bill Norton, Ace Norton, Lora Norton, Ceara Mcauliffe, Lance The Bike Whisperer, Clabe Hartley, Vanessa Ehrlich, Julia Ehrlich, Glen Walsh, Kiki Casillas, Omer Levy, Ruby Levy, Rio Levy, Raymundo Martinez, Sophie Okulick, Audrey Okulick, John Okulick, Pauline Guian, Macy Fuquay, Johnny Gidey, Chuck Dukowski, Brian Floats, Lyn Norton, Michiko Matsuda, Milo Gonzalez, and Chris Prapha…

Bedtime

Bedtime

written and directed by John Early starring John Early Gordon Landenberger director of photography Arlene Muller editor Josh Stein sound mixer James Ersted gaffer Lisa Thom special thanks Max Posner Whitmer Thomas

HEDGEHOG

HEDGEHOG

Gareth suffers from a debilitating sense of self-doubt... which manifests in the forms of a hedgehog.

BIG BOY PANTS

BIG BOY PANTS

It's 1987. Kyle has cold feet before his wedding, and he is about to stand up to his sister for the first time in his life. Featuring Emmy Nominee, Finn Wittrock. Directed by Phillip Montgomery Written by Scarlett Bermingham Starring Finn Wittrock and Scarlett Bermingham Produced by Greg Beauchamp @ Bindery, Andrew Rhymer, Lisa Steen, Sarah Eve Roberts, and Finn Wittrock Director of Photography Billy Peña Production Designer Francesca Palombo Edited by Matt McBrayer Assistant Camera Carol Kim Script Supervisor Hannah Driscoll Sound Mixer Anthony Kozolowsky Colorist Billy Hobson @ Harbor Picture Company Music Supervisor Rachel Etheredge Sound Design by Andres Velasquez @ One Thousand Birds Poster Art by Alden Leonard

CAT DAYS / ねこ の ひ / Neko no Hi

CAT DAYS / ねこ の ひ / Neko no Hi

sales: sales@shortfilm.com distribution: verleih@shortfilm.com Awards: Best Animation ※ Tampere Film Festival 2019 Best Animated Short ※ RiverRun Int'l Film Festival 2019 National Film Board of Canada Award for Best Animated Short ※ R2R 2019 Best Int'l Animation ※ Leiria Film Fest 2019 Audience Award ※ Flatpack Festival 2019 Special Jury Prize ※ Animakom Fest 2019 Best Short Animation ※ Silk Road Int'l Film Festival 2019 Special Prize ※ Children's Film Festival Seattle 2019 Winner Nat'l Competition ※ Kurzfilmwoche Regensburg 2019 Grand Prix ※ Int'l Animated Film Festival Stuttgart 2018 ARTE Short Film Award ※ Filmfest Dresden 2018 Golden Horseman for Gender Equality ※ Filmfest Dresden 2018 MDR Award for Best Script ※ Goldener Spatz 2018 Audience Award Best Animation ※ Festival Silhouette 2018 Winner Best Animation ※ Short to the Point, May 2018 Audience Award Best Animation ※ Florence Short Film Festival 2018 Winner Short Film Animation ※ Trujillo Int’l Independent Film Festival 2018 Special Jury Prize ※ Int'l Animated Film Festival Krok 2018 Diploma of the Jury ※ Insomnia Int'l Animation Film Festival 2018 Winner Nat'l Competition ※ interfilm Berlin 2018 Winner Programmer's Choice ※ Bushwick Film Festival 2018 Bronze Winner Best Animated Short ※ Queen Palm Filmfest, Oct 2018 Diploma of the Jury ※ Int'l Festival ANIMAEVKA, Belarus 2018 Certification 'Highly Recommended' ※ FBW (German Board of Film Classification) Voice Actors: Kanon Yamamoto, Yusuke Yamasaki, Iroha Sato, Shinobu Sawada, Fumio Okura & Yuna Fujiwara Edited and Animated by Jon Frickey Voice Director: Takashi Horiguchi Sound Design and Mix: David Kamp Music: Gofish and Satoko Shibata Written and Directed by Jon Frickey, 2018

Guy Can't Stop Cracking Up At Pro-Trump Protester Interrupting City Council Meeting

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Guy Can't Stop Cracking Up At Pro-Trump Protester Interrupting City Council Meeting
A discussion over a voter-sponsored ballot initiative making Tucson the first "sanctuary city"​ in Arizona was interrupted by pro-Trump protesters, but one man couldn't stop laughing at them.

Polly Pocket - Daniela Andrade

Polly Pocket - Daniela Andrade

Concept by Jérémy Comte & Daniela Andrade Director & Editor – Jérémy Comte Producers: – Émile Lavoie Clara L’heureux-Garcia Evren Boisjoli 1st Assistant Director – Clara L’Heureux-Garcia D.O.P. – Ariel Méthot 1st AC – Véronique Dagenais Gaffer – Jaden Scholes Key Grip – Andres Castillon Best boy electric – Michel Aleho Best boy – Alex Fillion Production Designer – Frédérique Ste-Marie & Yola Vanleeuwenkamp Assistant Set Decorator – Catherine K. Pelletier Set Dressers – François "Caillou" Bernier Olivier Gamache-Lalonde Emmanuel Muh Tim Fletcher Antoine Brillant Costume – Daniela Andrade & Renée Sawtelle Make-up / Hair – Carole Méthot Set P.A. – Joseph Liane OUTPOST Post-Production Supervisor – Simon Allard VFX Supervisor – Nicholas Cabana Coordinator – Hugo Mazo Pixel Perfect VFX Producer – Ana Luisa Lopez Comp Supervisor – Eden Munoz Compositor – Sandra Cota Compositor – Carlos de la Garza Matchmove & Layout artist – Rene Allegretti Planion VFX Producer – Phuc Nguyen Hoang Supernice VFX artist – Dan Gaud Artifex Animation VFX Supervisor – Marc Hall Coordinator – Tiffany Brasgold VFX Freelance Artists Compositor – Annie Amaya Compositor – Demetris Aparicio Compositor – Lucas Warren Compositor – Francisco Garcia Compositor – Mesheck Saikonde FX Artist – Danielle Zannone FX Artist – Darren Wallace Title Design – Sebastien Camden Electric Theater Colour Producers – Oscar Wendt Oliver Whitworth Colourist – Luke Morrison Special Thanks Phil Cabana Holger Voss Vladzilla Davide Pitarella Will Niava Sebastien Camden Jeff Kwok

Choss Whisperer

Choss Whisperer

Choss Whisperer: Mike Libecki Director & DP: Cheyne Lempe Editor: Spencer MacDonald Color: AJ Molle Mix: Matteo Di Guilio Archival Footage: Mike Libecki 3 Strings Productions Keith Ladzinski Andy Mann Ethan Pringle

Nursery Rhymes

Nursery Rhymes

Why is a metalhead singing Old MacDonald on the side of a rural highway? "Nursery Rhymes" is this week's Staff Pick Premiere. Read more about it on the Vimeo Blog: https://ift.tt/2yFA6th

The Stained Club

The Stained Club

thestainedclub-shortfilm.com facebook.com/stainedclub ____________ Finn has stains on his body. One day, he meets a group of cool kids with different stains on their bodies. One day, he understands that these stains aren't just pretty. ____________ Short Supinfocom Graduation Movie SUBTITLES AVAILABLE ____________ Directed by: Melanie Lopez | vimeo.com/meloulpz Simon Boucly | vimeo.com/simonbouclyanimation Marie Ciesielski | vimeo.com/marieciesielski Alice Jaunet | vimeo.com/alicejaunet Chan Stéphie Peang | vimeo.com/cspeang Beatrice Viguier | vimeo.com/baviguier ____________ Music by: Valentin Lafort | valentinlafort.com ____________ Festival Requirements: Patrick De Carvalho patrick2carvalho@gmail.com Sales: François Heiser francois@yummy-films.com Press inquiries: Benoit Berthe benoit@animationshowcase.com

YOUTH "HAUNTED" | MUSIC VIDEO

YOUTH "HAUNTED" | MUSIC VIDEO

Song performed by YOUTH Production : Aurélia Fourcaut Coton for The lion and the Wolf Executive Production : Ilya Turchanik for The family DP : Alexandre Jamin Dancer : Zedek Maestrelli and Anatoliy Sachivko Production ass : Sabina Ieremeneko 1rst AD :Andrew Morozov Stylist: Stas Ralko Steadicam Operator : Ruslan Bogdan Choregrapher : Anatoliy Sachivko Grading : MPC London by Matthieu Toullet Special Thanks to family production crew, Nikita Bukowski ©️ Alaska Records, 2019

Flurry

Flurry

Animation: Mike Pelletier https://ift.tt/2q0RZQw Sound: Dylan Galletly https://ift.tt/28T1uHp 2019

The Surreal Story of a Trump-Loving Artist’s War With the Smithsonian

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The Surreal Story of a Trump-Loving Artist’s War With the Smithsonian
A New York painter created a sprawling tribute to the President, took it on a road show across red-state America, and became a conservative celeb along the way. But what he wanted most was a showing at the National Portrait Gallery. Then its director turned him away.

Jimmy Stofer — The Trembling Giant (Official Music Video)

Jimmy Stofer — The Trembling Giant (Official Music Video)

The Trembling Giant, also known as Pando forest, has one massive underground root system. It's among the oldest known living organisms. It's been able to survive all sorts of viruses, harsh weather, etc, because it intuitively knows how to adapt. Music: Jimmy Stofer Direction and animation: Arina Shabanova 2019

ASMR for White Liberals

ASMR for White Liberals

Soothe your ears to the sounds of ASMR for White Liberals

Torren Martyn - TESORO ENTERRADO - Full Film

Torren Martyn - TESORO ENTERRADO - Full Film

Surfer: Torren Martyn Film Maker: Perry Gershkow Surf Boards: Simon Jones: Morning of the earth Produced by: needessentials Music: Gibson Kente - Saduva. Thrupence - How to be invisible. Midlife - How long does it take. Sandy's Band - I and I. Torren Martyn describes how this film came about. "The little mission down south to warm water came around as a bit of a surprise to me too, I’d originally planned to just spend a week or two with my girlfriend Aiyana in California and pictured surfing knee to waist high Malibu at best. One idea led to another as most good times do and before we really knew it Aiyana and I were rolling south of where we were currently camped out driving in awe through these beautiful snow capped mountains in the Eastern Sierras on a pretty straight mission south to a serious contrast of scenes, we were pretty excited! A good mate Perry Gershkow was able to juggle a few commitments around up in his neck of the woods of SF and before we really had too much time to think we kind of just woke up the next day deep in central America, it was a classic little scenario. I was travelling with two boards, a 7’2 and a 6’10. It’s so rare that I break a board, maybe one or two a year? anyhow I managed to break them both in the first couple of days.I guess I was rattled and disheartened when the first broke and then when the second went, I was kind of just baffled like haha really? luckily the local guys there have probably stitched together more boards than anyone anywhere else in the world so it was a pretty efficient little turn around, I was so grateful for that. Thankfully my mate Luke lent me his little 5’7 and a 4’11 for a little wiggle in between. The waves we had down there were absolutely incredible, sort of mind boggling at times. It’s humbling the energy in the ocean and the way the sand and currents dictated where and what waves we surfed. They were there one day and gone the next. I think that was the beauty of it too, we didn’t really have any expectations or too much of a plan, things just fell in to place and I wouldn’t change a thing. For me it was one of those spontaneous experiences made up of the combination of good people, the land, weather and a little luck on our side that are a friendly little reminder of just how lucky we all are to have this to share.

The Fuse: or How I Burned Simon Bolivar

The Fuse: or How I Burned Simon Bolivar

Kako Sam Zapalio Simona Bolivara (Bosnian / Serbo-Croatian) 2011, 9 min, Alt/Documentary Director/Producer/Editor: Igor Drljača Sound Design / Mix: Steve Cupani Using personal home video footage, this documentary follows how a young boy's attempts to avoid a poor mark on a school assignment in 1990's Sarajevo, may have contributed to a civil war. CSA Nomination 2013: Documentary Short Yorkton Film Festival 2012 - Best Historical Documentary • Sarajevo Film Festival (work-in-progress, Sarajevo, Bosnia, July 2011) • Toronto International Film Festival (Toronto, Canada, Sep. 2011) • Vancouver International Film Festival (Vancouver, Canada, Oct. 2011) • Canada’s Top Ten 2011 (Toronto, Canada, Jan. 2012) • Victoria Film Festival (Victoria, Canada, Feb. 2012) • Zagrebdox (Zagreb, Croatia, Feb. 2012) • SXSW (Austin, United States, March 2012) • Cinema du Reel – Int. Competition (Paris, France, March 2012) • Yorkton Short Film Festival- Best His. Documentary (Yorkton, Canada, May 2012) • Los Angeles Film Festival (Los Angeles, USA, June 2012) • Vienna Indep. Short Film Festival (Vienna, Austria, June 2012) • Rooftop Films (New York, USA, June 2012) • Gimli Film Festival (Gimli, Canada, June 2012 • Docufest Kosovo (Prizren, Kosovo, July 2012) • Era New Horizons (Warcow, Poland, July 2012) • Melbourne International Film Festival (Melbourne, Australia, July 2012) • Sao Paulo Int. Short Film Festival (Sao Paulo, Brazil, Aug. 2012) • Belo Horizonte Int. Short FF (Belo Horizonte, Brazil, Sep. 2012) • Rio de Janairo Int. Short FF (Rio de Janairo, Brazil, Nov. 2012) • Winterthur Kurzfilmtage (Winterthur, Switzerland, Nov. 2012) • Barcelona L’alternativa (Barcelona, Spain, Nov. 2012) • Pravo Ljudski Film Festival (November 2012, Sarajevo, Bosnia and Herzegovina) • Go Short Film Festival (March 2013 Nijmegen, Netherlands) +++

Above The Noise

Above The Noise

Female skateboarders are on the rise. Their ascension comes with an abundance of sexism and comments left on social media daily to bring them down. Rather than feed into the negativity, they rise above the noise. The comments in this video are all straight from prominent social media platforms like YouTube and Instagram. These words represent the darkest side of skateboarding. As the saying goes, the darkest always comes before the light. We wanted to illuminate these grotesque comments with hopes of drawing attention to the issue. The skateboarding community is a vibrant collective of individuals with the capacity to eradicate such hate. Let us work together to rise up and support every skateboarder, no matter their gender, orientation, or race.

Kathryn

Kathryn

A film by Bas Berkhout. Kathryn Engberg (25), the third generation artist in her family, was exposed to art from a very young age. Watching her mother and grandmother paint and spending time in their respective studios was a regular and natural part of her childhood. After graduating high school, Kathryn went on to attend Grand Central Atelier in Manhattan under the tutelage of the internationally acclaimed classical master Jacob Collins and several of his most accomplished students. Engberg graduated from Grand Central Atelier in 2016 and is currently a principal instructor at this renowned atelier school, which is modeled after the European atelier schools of the nineteenth century. Kathryn Engberg displays an exquisite sensitivity of highly refined draftsmanship and classical painting technique. Kathryn Engberg currently resides in Queens, New York. She strives to revive the classical traditions and extraordinary craftsmanship of the past with her own singular perspective, incorporating an exquisite sensitivity and capability extremely unique indeed. Direction - Bas Berkhout Cinematography - Bas Berkhout Editing - Bas Berkhout Sound - Peter Stoel likeknowslike.com

The 'Decoy Effect': The Trick That Makes You Overspend

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The 'Decoy Effect': The Trick That Makes You Overspend
When you buy a cup of coffee, you might have noticed that of the three size options, the medium-sized serving often costs almost as much as the large. There's a reason for that.

Ransom - Built for Versatility

Ransom - Built for Versatility

Client: Scott Sports Athlete: Joel Ducrot Production Company/Creative Collective: Scrap Director: Leigh Powis Director of Photography: Brandon Kelly Creative Director: Eddie Foster Executive Producer: Kevin Landry Producer: Drew Eastwood Production Manager: Cameron Argyle-Robinson Key Grip: Craig Bullen Key Gaffer: Truman Lee Design: Jesse Clemiss 1st. AC: Eddie Foster B Camera: Ronan Bryson Stunt Rigging: Craig Bullen & Matt Maddaloni & Kevin Landry Cable Cam: Matt Maddaloni & RVRD Trail Builders: Ollie Jones & Mark Mackay Set Construction: Morgan Weddel Post Production: Scrap Editor: Leigh Powis Asst. Editor: Ronan Bryson Colourist: Sam Gilling Sound Mix/Design: Leigh Powis & Jeremy Wallace Maclean Original Music: Jeremy Wallace Maclean Photography: Margus Riga Special Thanks to Julian Wagner

The Box

The Box

You have probably heard of the phrase "To think outside of the box"? This is a film about such a box and the flat-headed creatures that live inside of it. Life inside the Box is boring and miserable. Until one day a new baby boy starts to grown in the middle of the Box! The boy is very different from other flat-headed inhabitants of the Box- he's happy, lively and curious. As the boy grows bigger and bigger, the flat-headed neighbours are becoming more and more annoyed with him. Until one day he grows literally over their heads... ------ CREDITS: Story, director, animator etc...: Dušan Kastelic Music and Sound Design: Mateja Starič Producer: Dušan Kastelic Production Assistant: Igor Pediček Technical Support: Žiga Kastelic Additional Modeling and Animation: Cory Collins Re-recording Mixer: Julij Zornik (100 d.o.o.) Color Correction: Emil Svetlik (Teleking)

Shovels & Rope "I'm Comin' Out" (Director's Cut)

Shovels & Rope "I'm Comin' Out" (Director's Cut)

“I’m Comin’ Out” is a celebration of a segment of underrepresented athletes: women’s football players. PRESS: PROMO NEWS: "It is unapologetic, organic and exciting." https://bit.ly/2Zi3yBb Filmed in South Carolina and New York City. Director: Michael Parks Randa Massive thanks to my crew SC Unit: Producer: Alisha Hawkins DP: Kent Willard 1AD: Robby Opperman 1AC: Trevor Jackson 2AC: Ryan Shackelford NY Unit: Producer: Robby Opperman DP: Kent Willard 1AD: Jake Sharpless 1AC: Gray McClamrock Grip/PA: George Stenhouse Editor: Michael Parks Randa Colorist: Rob Bessette

VÉTÉRANE

VÉTÉRANE

2017 | 15 min | French with English Subtitles | 1:66:1 | Stereo "I thought the way the camera was used to put us in the mind of the main character was really exceptional. Some of the wonderful compositions often reminded me of the photography of Brassai. Excellent!' -Roger Deakins - CAMÉLIA, une escorte au passé trouble, travaille depuis peu dans un salon de massage érotique. Elle y découvre un univers compétitif qui la dépasse, où une poignée de femmes financièrement désespérées se font hypocritement la guerre pour courtiser les clients. Camélia tente de faire sa place dans cet environnement hostile tout en préservant sa dignité. - CAMELIA, an escort with a troubled past, is newly employed at an erotic massage parlour in eastern Montreal. Met coldly by her competitive new colleagues, she struggles to establish a clientele while maintaining her dignity. - Un film de / A film by : Pier-Philippe Chevigny Produit par / Produced by : Geneviève Gosselin-G Maison de Production / Production Company : DAVAI Distribué par / Distributed by : H264 Distribution CAST Sandrine Bisson - Danny Gilmore - Isabelle Guérard - Léa Roy - Ariane Castellanos - Jade-Mariuka Robitaille - Sasha Migliarese - Emile Schneider CREW Line Producer : François Bonneau 1st A.D. : Liliane Crevier Cinematographer: Gabriel Brault-Tardif Production design: Frédéric Devost Costumes: Eugénie Clermont Makeup: Josianne Morin-B. Sound: Tobias Haynes Sound design: Simon Gervais Sound mix: Serge Boivin Color: Charles-Étienne Pascal FESTIVALS Gala Prends Ça Court, 2017 *UNION DES ARTISTES Award, SPIRA Award, enRoute AIR CANADA Award FIFF Namur, 2017 Internationale Kurzfilmtage Winterthur, 2017 Québec en Court - Clermont-Ferrand International Short Film Festival, 2017 Off-Court Trouville, 2017 Tenerife International Short Film Festival, 2017 Rendez-vous du cinéma québécois, 2018 Mecal Pro, Barcelona International Short and Animation Film Festival, 2018 *Honorary mention - Jury Plymouth Rebel Film Festival, UK, 2018 *Best Fiction Film *Roger Deakins Award Thess International Short Film Festival, 2018 *Cinematic Achievement Award OLBIA Film Network Short Film Market, 2018 Longue Vue sur le Court, 2018 San Diego International Film Festival, 2018 VisuElles Film Festival, 2018 Festival International du Film Francophone de Tübingen-Stuttgart, 2018 Nonplussed Film Festival, 2018 Izmir Short Film Festival, 2018 Plein(s) Écran(s), 2018 *Honorable mentions Cinema on the Bayou, 2018 - Avec la participation financière de / With the financial support of : SODEC CALQ Crédit d'impôt cinéma et télévision - Québec Crédit d'impôt pour production cinématographique ou magnétoscopique - Canada Avec l'aide de / In collaboration with : ACIC - Aide au cinéma indépendant

Kenny Anderson is a Drugdealer

Kenny Anderson is a Drugdealer

Drugdealer's newest album "Raw Honey" features Kenny Anderson on the trumpet. This is a video portrait documenting the relationship between Kenny and Michael Collins while recording in Brooklyn, N.Y.

Dancing in the Dark

Dancing in the Dark

Dancing in the Dark - An exploration of moonlight surfing A short by Spencer Frost Director / DOP @spencerfrostfilms Edit - @lucasvazquez Colour - @timwreyford_colour Sound - @loopinagency Music - @dylsgram / Gary Frost Script / Poem - @balancedstudio Surfers - @bibaturnbull @mackwoodruff @harrivannn @jacktwiz @archwhiteman @vinwhiteman Producer - @faz__outside Assistants - @jeckriley @gfunk_ @dingobonesau @klevey_wonder @guydee Thanks @camerahire for the help and @canonaustralia for the camera that sees in the dark -