KAMAUU "Transparency"

KAMAUU "Transparency"

Kamauu - http://kamauu.world Director: Michael Marantz - www.michaelmarantz.com Director of Photography: Tim Sessler Production Company: Already Alive Producer: Zach MacDonald Production Manager: Denis Zenchenko Assistant Director: Jason Oppliger VFX: Stephen Walsh 1st AC: Asa Reed 2nd AC: Pierce Pyrzenski Gaffer: Dan Peck Key Grip: Sam Robinson Swing: Rowan Lupton DIT: Koby Leff PA: Scott Kamp PA: Jennie Larson PA: Emery Powell

Alzheimer's Society - Dementia is Killing Me - DC

Alzheimer's Society - Dementia is Killing Me - DC

We’re incredibly proud of this work. Learning about Dementia, and seeing the devastating effect it has on nearly a million families living with it in the UK has been incredibly humbling and heartbreaking. Search #curethecaresystem to sign the petition urging the government to help those struggling to look after their loved ones with the dignity and support they deserve. Cast: Kate Dickie, Mark Carlisle Agency: Engine Creative Director: Jo Moore Creatives: Chris da Roza, Hugo Isaacs Production: Academy Films Producer: Steve Overs AD: Micki Colker-Pearlman Cinematographer: David Foulkes Focus: Justin McGillivray Gaffer: Matthew Bohun Sound Recordist : Emanuele Constantini Production Designer: Bobbie Cousins Stylist: Sofia Sacomani Wardrobe Stylist : Katie McGoldrick Editor: Stephen Dunne at tenthree Edit Assistant: Blaine Pearson Music: Colin Stetson & Sarah Neufeld ‘And Still They Move’ Sound Designer: Alex Bingham & Patch Rowland at Machine Colourist: Rich Fearon Post: Black Kite Studios

P&G TOKYO OLYMPICS - Thank you, Mom

P&G TOKYO OLYMPICS - Thank you, Mom

Director: Miles Jay Production: Smuggler Starring: Rocio Canseco, Luis Alvarado and Reece Delaney Exec Producer: Patrick Milling Smith, Brian Carmody, Allison Kunzman Producer: Saul Germaine Cinematography: Chayse Irvin Production Design: Akin Mckenzie Editor: Ben Jordan - Work Editorial Post: A52 Color: Alex Bickel - Color Collective Agency: W&K Portland

to the girl that looks like me

to the girl that looks like me

Director: Ewurakua Dawson-Amoah DP: Gabriel Connelly Producer: Adrian Sobrado Editor: Elliot Farinaro Costume Designer: Ramzi Shatara Hair & Make-up: Ramzi Shatara Set Designer: Kat Aman Gaffer: Dmitry Lesnevskiy Music: Adeleke Ode and Ewurakua Dawson-Amoah Assistant Producer: Kevin Loh 2nd Assistant Producer: Maddie Neuville Line Producer: Stephanie Garcia First Assistant Director: Farah Jabir 2nd Assistant Director: Jena Kaplaniak 1st Assistant Camera: Allison Cavanaugh 2nd Assistant Camera: Kira Handel Steadicam Operator: Sam Stephan Grip: John Mills and Ruchit Negotia Still Photographer: Chebarrie Haynes Art Department Assistant: Daphne Knott Color: The Mill Wardrobe Assistant : Amir Moverman Set Assistants: Rhea Li, Landen Messner, Sage Gibson Title & End Credits: Luke Salin Cast: Gabrielle Barlatier Amanda Dawson-Annan Iman Young Ahua Trahore Renee Harrison Tiana Walsh Kiyanna Cox Jones Savannah Grace Jones Nyla Simmons Karen Cruise Ewuradjoa Dawson-Amoah Erica Holman Latoya Philanthrope Fernande Decius Yasmeen Slaughter Zaida Rollins Deacon Michelle Ferguson Manushi Tanna Mahisha Tanna Fatoumata Calliste Lillian Chow Naomi Cox Audrey Weinlader Jac Frost Emma Claire Gibson Abigial Voss Sophie Taylor Luiza Reis Nicole Titus Anna Percovska Alyssa Randall Lauren Amira Lauraine Ogay Laura Farres Emily Renee Ashley Doney Zoe Stuckless Elise Harmsen-Wilkes Madeleine Eisler Zoe Bourdin Ryla Extract Abby Gumpper

"THE END". Short Film.

"THE END". Short Film.

In 2020, the world stood still... in the movies too. En 2020, le monde s'arrêta... dans les films aussi. "The End" is an experimental narrative short film, in black & white and color, made only with movies gifs with a perfect loop, more than 500. "The End" is also a tribute to the cinema, from silent films to now. "The End" est un court-métrage expérimental narratif, en noir et blanc et en couleurs, conçu uniquement avec des gifs de films, plus de 500, dont la boucle est parfaite. "The End" est également un hommage au cinéma, du muet à aujourd'hui. Music by Ennio Morricone - "My Fault" from "My Name is Nobody". Edited & Directed by Fabrice Mathieu Thanks to TechNoir, Cinegraphiks, Cinemagraphs, and all the creators of the gifs used!

QAmom

QAmom

My mom got sucked into dark world of internet conspiracy theories. I didn't know what else to do, so I made this movie about it. You can follow my personal accounts on instagram or twitter @durtysean. And follow my animation company, Awesome + modest on instagram.

MTJF DESCHUTES

MTJF DESCHUTES

Travel to a land sculpted by ancient volcanoes, where crystal blue rivers carve their way through primeval forests, towering mountains give way to lush valleys and pristine lakes, and deep below the surface lie vast networks of cavernous wonders. This is the Deschutes National Forest. This film is brought to you by Visit Bend: https://ift.tt/33Z44bn To see more National Forest films or learn more about More Than Just Forests, visit our website: morethanjustforests.com/

Nexus Studios - 'Drawn Closer' written & directed by Patrick Osborne (Full Animated Film)

Nexus Studios - 'Drawn Closer' written & directed by Patrick Osborne (Full Animated Film)

BRAND: COX COMMUNICATIONS Director, Brand Strategy & New Media: Rachel Negretti Vice President, Brand Strategy & Consumer Insights: Brian Stifel Senior Vice President, Brand Strategy: Gaston Vaneri Senior Manager, Marketing: Brittany Tyner Social Media & Content Marketing: Roger Jones AGENCY: 180LA Chief Creative Officer: Al Moseley Executive Creative Director: Mike Bokman Group Creative Director: Jason Rappaport Copywriter: Emma Zakes Green, Amar Marwaha Senior Art Director: Elizabeth Lay Art Director: Arvid Harnqvist Head of Production: Bryan Sweeney Head of Strategy: Kaleen Ogden Strategist: Mauricio Barreda Director of Client Services: Megan McDonnell Senior Brand Manager Morgan Theis PRODUCTION COMPANY: NEXUS STUDIOS Director: Patrick Osborne Script Writer: Patrick Osborne Executive Producer: Juliet Tierney Producer: Josephine Gallagher Production Manager: Edith Chappey Production Assistant: Jenny Goodwin CG Lead: Mark Davies Art Director/Designer/Matte Painting: Mélanie Climent Storyboard: Marta Martín Blanco Character Designer: Rayner Alencar Character Modelling: David Díaz Jiménez, Katrina Hill, Joachim Loesener, Petri Aaltonen Rigging: Niko Rossi Lead Lighter: Kenny Ip Modelling & Lighting: Patrick Tomasini Shading & Modelling: Irina Nguyen, Fabien Glasse Animation: William Lorton, Alex Alabadi Aragó, Pierre Plouzeau, Steve Brown, Steve White, Clément Fassler, Quentin Dubois Compositing: Gareth Tredrea, Aitor Arroyo, Frederic Heymans, Ewelina Freuer, Dalvir Matharu Pipeline Developer / TD: Tom Melson Pipeline Assistant: Harry Nichols Motion Graphics Designer: Bethany Levy Editing: Mark Van Heusden, Ben Hunt, Kyle Jon Shephard Grading: David Slade LIVE ACTION PRODUCTION: NEXUS STUDIOS Producer: Fernanda Garcia Lopez Live Action Producer: Michael Schlenker Production Manager: Kevin Barrera DP: Mark Tierney Tech: Traiana Nescheva Production Assistant: Samantha Patton, Christo Ramirez SOUND STUDIO: POLLEN

Apple "Privacy. That's iPhone"

Apple "Privacy. That's iPhone"

Director: Rupert Sanders Production House: MJZ Producer: Laurie Boccaccio DoP: Jess Hall Production Designer: Jacqueline Abrahams Agency: TBWA

THE CHEMICAL BROTHERS 'THE DARKNESS THAT YOU FEAR' - OFFICIAL VIDEO

THE CHEMICAL BROTHERS 'THE DARKNESS THAT YOU FEAR' - OFFICIAL VIDEO

“The Darkness That You Fear is a hopeful piece of music. When we found the combination of the different voices worked set to the flow of the music it made us feel optimistic, like it was something we wanted to share.” - Tom Rowlands The video is directed by @Ruffmercy “When I first heard the song I immediately connected with the theme and the overall positive vibe. New government rules for relaxing lockdown had been announced and combined with the sun shining, it left me feeling positive about the forthcoming summer. It also triggered a strong sense of nostalgia that led to me going back to look for visual inspiration from the period in time when I first discovered The Chemical Brothers in the mid ’90’s. The video combines archive rave footage from the mid to late 90’s with hand painted Super 8 film textures and hand drawn animation. I love using colour to create chaos and evoke emotions and this was the perfect project to do that.” ​ Director: RUFFMERCY @ruffmercy Production Company: @myaccompliceldn Executive Producer Jamie Clark Producer: Richard Grewe @richardgrewe Editor: Charlie Reddie @ Stitch @stitchediting Picture Researcher: Susi Paz Commissioner: Ailsa Robertson Directors Rep: Alexa Haywood @freeagentuk Additional Animation: Patch D. Keyes @patch_d_keyes Shouts outs to Little Kev and @kinolibrary Vocal samples: Caroline Ellis on The Bugaloos’ “The Senses Of Our World” (1970) & John Ellison on “I’ll Be Loving You" by Soul Brothers Six (1967)

Nobody Stands Nowhere

Nobody Stands Nowhere

A short animation exploring the concept of 'Worldview'. Working in collaboration with Theos Think Tank and Culham St Gabriel's Trust. Directed, animated & designed by Emily Downe Words by Emily Downe, Trevor Cooling and Bob Bowie Music & Sound by Jan Willem de With

PRIMITIVE

PRIMITIVE

Gisele Bruhwiler moved to Tofino when the now renowned Canadian surf town was nothing more than a small fishing village. Since then, she has raised an entire family of pro-surfers, but did so the old way, showing them how to sail and live off the land. Despite speaking a different language and being generations apart, Gisele and her grandson Kalum share an unconditional love for the ocean and this primitive lifestyle that's been lost with changing times. Director/DP: Benoit Lalande Editor: Benoit Lalande Producers: Camille Hébert & Liam Mac Additional Footage: Nate Laverty & Ben Gulliver Photographer: Liam Mac & Julien Jeanson Music: Forest Swords Mix: Keith White Supported by GURU Energy.

Ziemia / Soil

Ziemia / Soil

In Polish language, the word describing soil is synonymous to “Earth”, which I think is a meaningful coincidence. It’s interesting to think what it would be like to live in an environment such as soil. Communication there happens in darkness, and consists of subtle vibrations and chemical signals - so much different than our loud, bright world above. The ground it is quieter, but it has its own specific sounds, that come from the organisms living there, roots growing, water travelling through. Fertile soil is something that takes a very long time to develop and very little time to destroy. For me it's a fragile, beautiful and mysterious environment - and that's how I aimed to depict it in this animation. It is full CGI work, made using SideFX Houdini and Redshift. This animation was created as a part of my exhibition, which was held from April 24th until May 8th, 2021 in Eskaem, an art gallery in Gdańsk. http://www.eskaem.pl/ I was able to use authentic recordings from the soil thanks to the Sounding Soil project by Marcus Maeder, Zurich University of the Arts, Institute for Computer Music and Sound Technology ICST, 2017-2020 https://ift.tt/2QfyNO6 Audio production and editing Marcin Szulc / Coastline Northern Cuts https://ift.tt/3tFAHoI Designed and produced by Zuzanna Kołodziej / Vizuza Full post & photos from the exhibition: https://ift.tt/3oNr1Yx

Squid - Pamphlets

Squid - Pamphlets

The official music video for Pamphlets by Squid from their album "Bright Green Field", released on Warp Records. directed and designed by - Raman Djafari https://ift.tt/2v63t5b music by - Squid https://ift.tt/3f0w8S3 rigging and character animation - Barney Abrahams & Raman Djafari https://ift.tt/2RnxahZ production company - BlinkInk https://ift.tt/3oVmG4E executive producer - Josef Byrne The video for Pamphlets is a meditation on the feeling of being unfit, unlovable, not compatible and the manic anxiety and stress that this results in. Also, it is about the emergence from that state of mind through the embrace of uncertainty, insecurity and difference.

H.A.G.S. (Have A Good Summer)

H.A.G.S. (Have A Good Summer)

A portrait of growing up told through the pages of my middle school yearbook. Go Hornets. This film was originally published by The New York Times Op-Docs: https://ift.tt/3fDu5Ca + Short of the Week: https://ift.tt/3yoVcK9 Featuring: Danial Awan, Way Chen, Fahad Manzur, Sohrab Nawim, Karina Paonessa, Terilyn Tran Director / Producer: Sean Wang Animator / Illustrator: Deepti Menon Composer: Giosuè Greco Sound Design & Mix: Jackie! Zhou 8mm Photography: Iris Lee Editor: Sean Wang Senior Commissioning Producer: Christine Kecher Supervising Editor: Andrew Blackwell Associate Producer: Yvonne Ashley Kouadjo Executive Producer: Adam Ellick Co-Executive Producer: Lindsay Crouse Special Thanks: Anoop Chaganty Sam Davis Coert Donahue Congrui Lin Mushfeque Manzur Nasreen Rahman Jarrod Rocha Hannah Pearl Utt Rayka Zehtabchi

Imagination

Imagination

The concept for the film that, supported by Lumix, was about the imagination and where my love and enjoyment around making films began. We travelled to Scotland on a road trip of exploration and adventure but was cut short with a new Covid strain suddenly developing resulting in a third national UK lockdown. Over the following months I decided to include my daughter in the film by giving her a camera and seeing how she interpreted the world around her. It was nice to combine all my passions in this film - family, windsurfing, exploration and making films. Shot on the Lumix S1H Sound Mix: James Locke-Hart Thumbnail: James White

Room with a Sea View

Room with a Sea View

Herbert arrives in the seaside city on a long working trip. Accidentally he falls in love with a very strange beautiful saleswoman in a flower shop. He suffers from insomnia, which he treats by watching billiards on TV. But now it doesn’t help anymore. His obsessive passion keeps him awake...

YOU ARE LOVED

YOU ARE LOVED

The last project I shot before Covid-19 hit North America. Thankful to finally be able to share this one. It was super meaningful to make with so many real families that let us into their homes to share their stories. The central idea being that even if you have HIV, you have a loving support system around you (be it your biological family or a chosen family of good friends) and you can lean on them as you get the medical treatment available (like Symtuza, the client behind this piece). --- PRODUCTION COMPANY: THE RESERVE EP: RYAN SLAVIN PRODUCER: ARI WEINER DIRECTOR: BROOKS REYNOLDS AGENCY: FCB CHICAGO CLIENT: SYMTUZA EDITOR: CHRIS MURPHY @ OUTSIDER COLORIST: WADE ODLUM @ ALTER EGO MUSIC & SOUND DESIGN: MATTHIAS MÜLLER

Greenpeace - Wasteminster

Greenpeace - Wasteminster

Wasteminster is a uniquely original depiction of what would happen if the plastic waste the UK exports each day was instead dumped on Downing Street. Voiced by two of Britain’s best impressionists, Jon Culshaw and Matt Forde, the animation is intended to raise a smile at the impressions of Boris Johnson and Michael Gove, and raise awareness of the plastic pollution crisis the UK is creating overseas as well as putting pressure in the government. All statements in this film are direct quotes from Boris Johnson and his government. Directed by Jorik Dozy & Sil van der Woerd Concept & Production by Studio Birthplace Co-Produced by Park Village CG Production by Method & Madness Produced by Sean Lin Client Greenpeace Client Consultant Peter Myers

The Prey - Monolink

The Prey - Monolink

'The Prey' is out now: https://monolink.lnk.to/ThePrey​ Follow @Monolink Instagram: http://www.instagram.com/monolinkmusic​​ Facebook: http://www.facebook.com/monolinkmusic​​ Official Website: http://mono.link​ Direction and Animation: Páraic Mc Gloughlin https://www.instagram.com/paraicmcglo...​ Performance: Carla Cervantes Caro & Sandra Lee https://www.instagram.com/lookathings...​ Camera: Javier Zarza Bardet, Páraic Mc Gloughlin, Peter Martin, Brian Lawler, Patrick Lawler Co-Produced by Steffen Linck Vlad Ilaș Sculpture Tomàs Barceló Additional imagery: unsplash, google resources, pixabay, pexels,flickr, wiki commons. Monolink - The Prey (Official Video)

LOVE LANGUAGE

LOVE LANGUAGE

Sometimes it's the secrets we hide that bring us closer together. Directed by Rick Darge Written by Chris Candy Starring Chris Candy & Guerrin Gardner Production Sound by Joe Uhlarik Original Music by James Carroll

Levitation 2

Levitation 2

Sila Sveta presents the second part of the high-tech art performance “Levitation 2”. The second part of the “Levitation” is a continuation of the previous project, which 5 years ago gained more than 20 million views around the world. This performance stands at the intersection of theater, choreography, high technology and illusion. The second part begins literally from the same frame that ended the first performance. This technique was chosen for a reason – the story of the main hero continues and evolves, which is revealed both by the choreography under the direction of Anna Abalikhina & by the XR technology, which takes you beyond the setup and allows the viewer to get into the parallel Universe with completely different laws of physics. “If in the first Levitation we were enclosed by the frames of projection screens, which were arranged in the form of a book, in the second Levitation it was important for us to go beyond the screen boundaries and be able to work with infinite spaces and landscapes. Because this whole story is about overcoming, about going beyond not only the graphics, but also the character of the hero. The important part is adding the color. The first “Levitation” was black-and-white, more intimate, while the second is introduced with a specially selected meaningful colors” says Artur Kondrashenkov, the creative director of the project. Choreographer Anna Abalikhina: “Gravity cannot be overcome, but with it you can try to find harmony and balance. Dance allows you to experience these moments here and now, so while working on the dance we were looking for a state of peace and contemplation. The music of Alexey Nadzharov helped us a lot in this”.

Welcome Back

Welcome Back

When you miss something enough you do actually start to see it everywhere! This wonderful truth is beautifully celebrated in our latest film for Guinness, directed by Chris Balmond, and created by our friends at AMV BBDO. Guinness have helped the hospitality industry all throughout lockdown and we cannot wait to be back celebrating life, every day, everywhere with a pint! Be sure to post a pic with your Guinness with the #lookslikeguinness so we can follow this journey all together. #weareoutsiderldn #production #lookslikeguinness Client: Guinness Title: "Welcome Back" Agency: AMV BBDO Executive Creative Directors: Nadja Lossgott & Nicholas Hulley, Creatives: Jack Watts & James Cambridge TV Producer: Polly Lowles Production Company: Outsider Director: Chris Balmond Producer: Paul McPadden DOP: Eoin Mcloughlin Edit: Suzy Davis @ Final Cut Post Production: JAMVFX Sound: James Radford @ Radford Music

EMERGENCY

EMERGENCY

Ready for a night of partying, a group of college students must weigh the pros and cons of calling the police when faced with an unusual emergency.

SPLASH (2019)

SPLASH (2019)

The splash of water is like a bomb, about to break the tranquility of the pool.

Thrown to the Wolves

Thrown to the Wolves

Renard “Storm” Haynes had no rulebook on how to fight COVID-19 despite being the first line of defense, before doctors and nurses. The NYC EMT reflects on his career, fighting the pandemic from the front lines, and coming to the realization that essential was just another way of saying sacrificial. Story by Renard “Storm” Haynes Directed by The Hudson Dusters Renard Haynes as Himself Marikko Haynes as Herself Johnny Turner as Himself Robert Zobel EMT #1 Lexy Leeds Patient #1 Perry Strong Patient #2 Produced by Luke Stevens Director of Photography Nathan Corbin Edited by Joe Walker Assistant Camera: Ian Degner Associate Producer: Lexy Leeds Drone Operator: Alon Sicherman Rigger: Owen Holland Production Assistant: John Bryan Taylor Edit House: Greenpoint Pictures Post Producer: Victoria Vallas Music House: Lightning Studios Original Music by Seth Olinsky Color House: The Mill Colorist: Nick Metcalf Sound Design / Mix by Bobb Barito Titles by Josh Roos VFX Artist: Dave Etkin Music Tracks: “Night” by Seth Olinsky “Fractured Swell” by Seth Olinsky “Summer Rain” by Seth Olinsky Thanks to: Perry Strong Tony Stone Lexy Leeds Benjamin Schwaeber Karen Berkowitz Trevor King Tatiana Rudzinksi Thomas Zoranski Angela Mickey Liz Lewis Casting Jesse Heath Lily Bussel AbelCine Gotham Sound Movie Time Cars Eat Kern Productions Courier Car Rental Hand Held Films Barkode Props

"OJO" feat. Koldo Illumbe

"OJO" feat. Koldo Illumbe

A little something from the recent Indonesian monsoon season, searching for conditions that shine just a couple times of the year. A Kylian Castells project, supported by Vans. Still photography by Hamish Humphreys. Additional footage by Leo Lassence . Shot in Indonesia.

A Family That Steals Dogs

A Family That Steals Dogs

a short film by John C Kelley // 2020 Strange experiences and realizations lead a grieving artist to reconsider his identity and beliefs in this meditation on loss, family and mental illness. animation, story and sound by john c kelley

Broken Bunny

Broken Bunny

A late-blooming pre-adolescent girl attempts to save a brutally wounded rabbit, yet finds that her moral compass and perspective on mortality are challenged in the process. Vancouver International Film Festival's 'Sea to Sky' Award, 'Best Narrative Short Film' at Las Cruces Film Festival and "Best Film" at Future of Film Show and "Best Film" Award at the Future of Film Show. Official Selection: Palm Springs International Shortfest Shnit International Film Festival Bushwick Film Festival Vancouver International Film Festival Psarokokalo Athens International Short Film Festival Future of Film Show Las Cruces Dumbo Film Festival Moonrise Film Festival Abycine Film Festival Victoria Film Festival Credits: Starring: Vanessa Przada Bracken Hanke Ashley Wood Supporting Cast: Chilton Crane Brigitte Drescher Eva Bourne Written and Directed by: Meredith Hama-Brown Producer: Bernie Yao Director of Photography: Norm Li, csc Production Designer: Sophie Jarvis Editor: Lisa Pham Sound Designer: Nolan McNaughton Associate Producer: Bonnie Judd First Assistant Director: Marc Webb Hair and Makeup Stylist: Meaghan Zwick First Assistant Camera: Jeremy Cox Second Assistant Camera/Loader: Ryan Ermacora Gaffer: Chase Fletcher Sound Recordist: Nolan McNaughton Foley Artist: Nolan McNaughton and Lucas Ross Animal Wrangler: Bonnie Judd Visual Effects Artist: Freddy Chavez Olmos Caterer: Cole Friske "Getting Over You" (Stu G & Robot Disco Puma Remix) Performed by Kaylee Johnston Written by Kaylee Johnston, Steve Smith and Anthony Anderson Published by Kaylee Johnston Music Courtesy of Kaylee Johnston

FACEBOOK Deaf Hoops

FACEBOOK Deaf Hoops

agency Wieden Kennedy CD Susan Hoffman CD Felipe Ribeiro Producer Deb Drumm Copywriter Ricardo Scarpa Production Anonymous Content director mdc Dop Larkin Seiple wardrobe Natasha Newman-Thomas DC Post Editor Dylan Edwards Colorist Ricky Gausis Sound Cult Nation Conform Method Casting All Of Us Casting Lead Interpreter Martha Villar

MYD - LET YOU SPEAK

MYD - LET YOU SPEAK

Myd tries to record a song around the world and tries not to lose himself in the process. Directed by Dan Carr Executive Producers: Charles Portier, Antoine Fritsch Cinematographer: Albert Oziouls-Toulouse Line Producer: Alliocha Madeuf Production Coordinator: Joseph Ragons Stylist: Liate Cohen Renforts Paris: 1 er Assistant Réalisateur: PIM Caloni 2 nd Assistant Réalisateur: Matthias Pichard 1ère Assistante Caméra: Juliette Perpina Chef Électricien Arnaud Gross Chef Machiniste Sacha Benichou Décorateur - Thibaut De Cecco Color: Kaitlyn Batistelli at Ethos Studio VFX: Machine Molle Studio VFX Supervisor: JF Fontaine Produced by Dissidence Production Special thanks to Nick Roney, Jackie! Zhou, Ariel Fisher, Cameron Dutra and for all the locations and places that made this happen - “Remerciements tout particuliers à Camille Corsia et la Cité des Sciences, à Philippe Bihouée et la Maison Picassiette, à l’office du tourisme aux vedettes et à la communauté de communes du Pays des Abers pour leur accueil inoubliable, à Carole Courtois et Anne Hélène Frostin et à la la base sous-marine de Bordeaux, à Joël de TASO hélicoptère et à sa charmante famille , à Olivier et ses chiens pour leur chaleureux accueil et leur admirable performance, Michel Constant et Robert Bac et la Chapelle de Fontanges, à Chantale Madeuf pour son délicieux tajine et Marie pour son accueil, à Carine Saussol du Colorado Provençal, Ophélie Souvignet, Isabelle de la Noyeraie, Loïc Barril et Aurélie Germain des Grottes de Choranche, à Frédéric Legros du Palais Idéal du Facteur Cheval, à Olivier de Where the Action Is pour son vaisseau spatial première classe, à Panavision et particulièrement à Betty Coquillard pour leur aide légendaire, à DCA, à Photocinerent, à les 2 Ailleurs, à Larosa, à Airways, à Siaci. Le film que vous venez de visionner n’aurait pu exister sans l’aide de toutes ces belles personnes. Merci pour la force.” Also, I don’t speak French (as seen above) so to say this was made by the team is an understatement. Thank you for making every single step of this project happen, otherwise I'd have still been on the couch in LA.

Field of Vision - The Rifleman

Field of Vision - The Rifleman

Through meticulously assembled archival imagery, “The Rifleman” reveals the roots of the modern National Rifle Association, U.S. Border Patrol, and the gun lobby’s unyielding influence on national politics. Directed by Sierra Pettengill

Facebook - Good Ideas Deserve To Be Found - Extended Cut

Facebook - Good Ideas Deserve To Be Found - Extended Cut

LAPIERRE - RIDE YOUR NEXT

LAPIERRE - RIDE YOUR NEXT

Starring: Julien Legendre, Evita Muzic, Yoann Offredo, Nicolas Vouilloz, Adrien Dailly, Isabeau Courdurier Production Company: Hiersoir Producers: Caroline Helaine, Yoel Servadio Production Coordinator Nolwenn Jaubert Director Assistant: Clara Teboul DOP: Yoann Suberviolle Focus Puller Zoé Mention 2nd AC Kelly Pradels Remote Assistant Samuel Ribeiro Key Grip Amira Bensaada Gaffer Sirine Benelrhazi Interview Julien Artaud Buggy Operator Jack Soufflard Boom Operator Valérian Ponsero Location Manager: Antoine Chatenet Production Manager Valentin Borras Manager: Baptiste Blanchet, Camille Guillemain Still Photographer: Manuel Obadia Wills Photographer Assistant: Triss Lassablière Storyboard Artist: Eva Mai Editor: Florian Julia Colorist: Nicolas Gautier @FIRM Sound designer & Composer: Axel Guenoun Agency: VIRTUE

b1n0 - BUM BUM (feat Ferran Palau)

b1n0 - BUM BUM (feat Ferran Palau)

BUM BUM is a music video about mourning. A mental portrait in which it becomes impossible to define the limits of reality. An approach and exploration of the pain that introduces us to a universe of strangeness and unease. "A ghost: a guest + a host" Marcel Duchamp, 1953 CREDITS: Starring: BRUNA CUSÍ & FERRAN PALAU A film by AÛM! STUDIO Directed by: FRANK LUCAS & ANNA CORNUDELLA Producers: POL CORNUDELLA & GERARD RODRÍGUEZ Line producers: MARTA ESPUÑES Director Photography: LALI RUBIO Art director: ALEX JORDANA & SARA OLIVA Sound recordist: GUILLEM CARVAJAL Make up artist: GISELA CASTELLS Stylist: MARTA PALLISERA Gaffer: MANU LEÓN 1AD: ALBERT MARCOS Script: SERGI VIDAL Assistant art director: HELENA GINER Styling assistant: MILA PALOMERES AC: ADRIÀ ALCALA, VIRGINIA GLESSI & PAU BOIX Electrics: HÉCTOR FÈLIX & FERMÍN LOBOWSKI Editor: CARLOS HERNÁNDEZ VFX: LIO ESTIVILL Digital composer: CINTIA COLL Colorist: BIEL GELI Graphic design: LIBE AMUNARRIZ & PAU RUIZ Special thanks: JAVI REQUENA, ZIG ZAGRENTAL, MK GRIPS, ANOTHER LIGTH, LAURA FERNÁNDEZ, ESTHER CASTRO, ÀNGEL CORNUDELLA, LAURA SISTERÓ, CYPRIEN CLÉMENT-DELMAS, LOFT VELVET, FOEHN RECORDS, HIDDEN TRACK RECORDS. SONG: Produced by B1N0 Mix by MIQUEL CUXART Master by JAN VALLS

Fotografiska - Anything But An Ordinary Museum

Fotografiska - Anything But An Ordinary Museum

Director - Tobias Nathan Produced by Matte Projects Producer - Brigitte Bishop Director of Photography - Htat Htut Editor - Sean Fazende Sound Design + Mix - Bobb Barito Color - Olivia Peters Agency Creative Director - Gaspar Guerra Agency Art Director - Sarah Healy Agency Account Director - Joanne Shia

The Gaze

The Gaze

In my years of doing interviews and roundtables and Q&A’s for the various films we’ve made, there is one question that recurs. No matter the length of the piece or the tone of the room, eventually, inevitably, I am asked about the white gaze. It wasn’t until a very particular interview regards The Underground Railroad that the blindspot inherent in that questioning became clear to me: never, in all my years of working or questioning, had I been set upon about the Black gaze; or the gaze distilled. I don’t remember when we began making the piece you see here. Which is not and should not be considered an episode of The Underground Railroad. It exists apart from that, outside it. Early in production, there was a moment where I looked across the set and what I saw settled me: our background actors, in working with folks like Ms. Wendy and Mr. and Mrs. King – styled and dressed and made up by Caroline, by Lawrence and Donnie – I looked across the set and realized I was looking at my ancestors, a group of people whose images have been largely lost to the historical record. Without thinking, we paused production on the The Underground Railroad and instead harnessed our tools to capture portraits of... them. What flows here is non-narrative. There is no story told. Throughout production, we halted our filming many times for moments like these. Moments where… standing in the spaces our ancestors stood, we had the feeling of seeing them, truly seeing them and thus, we sought to capture and share that seeing with you. The artist Kerry James Marshall has a series of paintings of ancestors for whom there is no visual record but for whom he has supplied a visual representation of their person. For me, most inspirationally, "Scipio Moorehead, Portrait of Himself, 1776." Of the painting, from the Met Breuer exhibit KERRY JAMES MARSHALL: MASTRY – “In this painting Marshall created an imagined self-portrait of a real African American artist, Scipio Moorhead, who was active in the 1770s. Few if any images of Moorhead exist in the historical record. Everything we know of his legacy is based on Phillis Wheatley’s first book of poetry, published in 1773 while she was a slave [sic] in Boston. The book’s title page illustration is an engraving of the writer, reportedly modeled on a painting by Moorhead. The engraving remains the only visual proof, however tenuous, of Moorhead’s existence." In the way that Mr. Marshall sought to honor Mr. Moorhead through this imagined physical representation of the artist, we have sought to give embodiment to the souls of our ancestors frozen in the tactful but inadequate descriptor “enslaved,” a phrase that speaks only to what was done to them, not to who they were nor what they did. My ancestors – midwives and blacksmiths, agrarians and healers; builders and spiritualists, yearn’ers and doers – seen here as embodied by this wonderful cast of principal and background actors, did so very much. Housekeeping: From end to end what you are hearing here is Nick’s original score. And yet even at fifty minutes, this is barely twenty percent of the score for the show. The same with the images; maybe five of these shots are in the actual show? There are no spoilers here. Other images in this format appear there but not here. All told, we archived four hours of these portraits. They flow in story order, from Georgia to Indiana. NOTE: one of these things, you’ll notice, is not like the others. In the context of the show, its presence will make sense. A FEW SHOUTOUTS – None of these shots are planned. Occasionally, when the spirit moved us, we stopped making the planned thing and focused on making THIS thing. So shoutout to my brother James for sure; we had a show to film and yet he never questioned, he brought his best to this. Always. Caroline Eseline. Our costume designer. The majority of the souls you see here are inhabited by background actors. Which meant at any moment, the camera could go from a close-up of number one on the call sheet to… a portrait of number 500. It did not matter. Every soul needed full embodiment. And every damn time I saw someone and was moved to portraiture, there was no doubt of their readiness. The same goes for Lawrence Davis and his wonderful group of hair stylists. And Doniella Davy and her makeup team. Mark Friedberg. Liz Tan, Spoon, Jesse and the directing team. Jarrett Morgan, aka Da’ Possum. Alex Bickel. Daniel Morfesis, who cut this and all the teasers that came before. OUR BACKGROUND ACTORS. My most humble thanks. This is an act of seeing. Of seeing them. And maybe, in a soft-headed way, of opening a portal where THEY may see US, the benefactors of their efforts, of the lives they LIVED. Much love to you. And so much love to THEM. -B

BICEP - Saku (Official Video)

BICEP - Saku (Official Video)

Directed by David Bertram Produced by Diplomats Executive Producer P.E Sigwalt⁣ Line Producer Adrien Chibatte Cinematographer Pat Aldinger Movi Operator Fullmotion Stylist Diane Gagnant Casting director Marie Gervais Production designer Mathhieu Henriot 1rst AC Romain Malavoy Gaffer Sophie Delorme Key grip Tintin 1rst AD Christian Alzieu ⁣ Make up artist Megumi Tano Post production Firm Studio Post producer Celine marsais⁣ Editor Sophie Fourdrinoy ⁣ Colorist Emiliano Serantoni VFX supervisor Alexis Baillia 3D animatic Sébastien Ebalard

The Scariest Movie Monster

The Scariest Movie Monster

For educational purposes only. If you'd like to support throughline, you can visit https://ift.tt/2YXKlGr Connect: https://ift.tt/3utqEV5 All music licensed via Artlist.io.

All Is Well

All Is Well

When a woman quarantined in April 2020 gets a middle of the night phone call, she wants to make the perfect arrangements and control what she can control. But if last year taught us anything - it’s that nothing goes to plan. All Is Well is about control, loss and letting go. And finding the silver lining in 1970’s porn. Written by Rachael Taylor Directed by Mike Piscitelli Filmed over a weekend under quarantine. Staring Rachael Taylor Victoria Bullock Risa Dorken Jessica Frances Dukes Casey La Bow Seth Morris And Alan Dale Editor Chris Amos Music Blake Mills Color Mark Gethin Design Johannes Gamble Audio Mix Matt Miller Camera, Sound, art department, catering: Mike Piscitelli Acting, writing, art department, gaffer: Rachael Taylor Cameras & Sound generously supplied by CSLA Rentals

Cock-A-Doodle-Doo

Cock-A-Doodle-Doo

Barnyard Martyrdom.

HOA

HOA

HOA is a short skateboarding film for Thank You Skateboards that was shot exclusively in the residential neighborhoods of Los Angeles County. The film is a nod to every skateboarder's early skateboarding experience of skating the often less than ideal terrain of their local neighborhood but making due nonetheless. HOA was created as part of Transworld Skateboarding's SKATE & CREATE 2020 contest. https://ift.tt/3aqjxUv Featuring: Daewon Song & Torey Pudwill Cameos: Chad Muska & Rodney Mullen Directed, Shot, Edited: Colin Kennedy Music used with permission: Nation of Language "The Wall & I"

Goth Babe | Tides

Goth Babe | Tides

a Moonhouse film featuring Griff Washburn and Sadie director & cinematography: Ben Moon executive producer: Sean Patrick Sheahan | Best Friends Music editor: Jake Price colorist: Skip Armstrong music & score: Goth Babe sound design & final mix: Luke Mathers | Cascadian Sound archival footage: Levi Hoffbeck | 204Made made possible with the support of Amazon Music and JUNESHINE

Stefan Sagmeister - Beautiful Numbers

Stefan Sagmeister - Beautiful Numbers

Made at Art Camp Directed by Santiago Carrasquilla Cinematography by Oliver Lanzenberg 3D Animations by Steven Guas Music by Space People Additional design and editing by Ming Hsun Yu Special thanks to Alex Whythe

WEAKNESS OF THE FLESH

WEAKNESS OF THE FLESH

Concrete, when dry, cemented and stuck. The body, delicate. When the mind is pushed, the potential of the defense system is revealed. Blank canvases and raw environments. The complexities of human nature exposed. Depth of understanding to the natural course. Society's normality can’t enslave us. The mind pushes to the body. The mind pushes towards the weak flesh. A rebound effect that continues. This is a universal temptation that repeats through time. Filmed in Los Angeles, USA Directors: Kevin McGloughlin + Jacob Jonas Choreographer: Jacob Jonas Featuring: Emma Rosenzweig-Bock Music & Sound Design: Max Cooper Vocal: Samad Khan Cinematographer & Color: Shaun Boyte Animation & Edit: Kevin McGloughlin Assistant Editor: Joy Isabella Brown PRODUCED BY: Jacob Jonas The Company Executive Producer/Creative Director: Jacob Jonas Producers: Jill Wilson, Emma Rosenzweig-Bock, Mathieu Wothke Associate Producers: Joy Isabella Brown, Francisco Cruz, Steve Hackman, Emily Kikta, Rubberlegz, Anibal Sandoval, Mike Tyus, Peter Walker IN PARTNERSHIP WITH: Somewhere Magazine CO-PRESENTED BY: Joan W. and Irving B. Harris Theater for Music and Dance Wallis Annenberg Center for the Performing Arts Younes and Soraya Nazarian Center for the Performing Arts

How to Disappear by Total Refusal

How to Disappear by Total Refusal

“How to Disappear” is an anti-war movie in the true sense of the word, searching for possibilities for peace in the most unlikely place of an online war game. It’s a tribute to disobedience and desertion - in both digital and physical-real warfare. About Total Refusal Total Refusal is an open artists’ collective which criticizes and artistically appropriates contemporary video games. However, as most mainstream game narratives employ the same infinite loops of reactionary tropes, the genre largely fails to challenge the values of their players and instead affirms hegemonial moral concepts. Acknowledging that this media is currently not realizing its cultural potential, we aim to appropriate digital game spaces and put them to new use. Moving within games but casting aside the intended gameplay, we rededicate these resources to new activities and narratives, looking to create “public” spaces with a critical potential.

GRAMERCY

GRAMERCY

Shaq, a young man grappling with depression, returns to his New Jersey hometown, where his exploration of grief and brotherhood transforms into the imagining of an inner life. Locarno Festival 2020 (World Premiere) Clermont-Ferrand Int'l Short Film Festival 2021 (Winner of the Labo Competition Grand Prix) Telluride Film Festival 2020 (Filmmakers of Tomorrow) Chicago Int'l Film Festival 2020 (Winner of the Narrative Short Silver Hugo) BFI London Film Festival 2020 AFI FEST 2020 Hamptons Int'l Film Festival 2020 Film Fest Ghent 2020 Uppsala Int'l Short Film Festival 2020 La Roche-sur-Yon Int'l Film Festival 2020 Valladolid International Film Festival - Seminci 2020 New Orleans Film Festival 2020 Miami Film Festival 2021 Pan African Film Festival 2021 Rooftop Films Summer Series 2020 Montclair Film Festival 2020 (Winner of the New Jersey Competition for Fiction) Le Cinéma Club (Online Premiere) - https://ift.tt/33ly1lB SENECA VILLAGE PICTURES presents in association with REFRAME THE WORLD and PUTSHKI written and directed by: Jamil McGinnis and Pat Heywood starring: Shaq Bynes, Karon Tracey, Jihad "Wave" Marshall, Duane "Mook" Dent, Jr., Chidi "Chad" Nwala Gabriel Ajari VI, Kashawn Tracey produced by: Gabija Blake, Claire McGirr, Myriam Schroeter director of photography: Maceo Bishop production designer: Cheyenne Ford editors: Matt Carter, Ben Jordan composer: Zachary "Shigeto" Saginaw sound designer and mixer: Owen Shearer colorist: Alex Jimenez vfx supervisor: Daniel Morris music supervisor: Midori McSwain producers and executive producers: Jamil McGinnis, Pat Heywood executive producers: Michael Peay, Chelsea Franklin, Myriam Schroeter companies: IFP, Final Cut Edit, Work Editorial, Color Collective, Sonic Union, Blacksmith VFX

Rollerskate

Rollerskate

https://ift.tt/2rqGBtR https://www.youtube.com/cool3dworld/ https://ift.tt/1Trlpg0 https://ift.tt/1Trlpg2 https://www.twitter.com/cool3dworld https://ift.tt/322sFJU

Google | Business As Usual

Google | Business As Usual

“Business As Usual” is about creating your own sense of movement, taking ownership of what you can influence, and being the author of your own story. A sense of peace and happiness when things seem to be burning around you. And the fact that we have to continuously choose ourselves. Our setting, Leimert Park, is known for being the center of historical African-American art and music in LA. @NeighborsSkateShop, through the love, energy and impact of skateboarding, helps protect and preserve that culture. And it is with this sentiment that we were able to showcase businesses that serve the community and tell the story of our hero, @akwxi. @wearedivision7 --------- Google "Business As Usual" credits Director: Joshua Kissi @joshuakissi Production Co: division7 @wearedivision7 Starring: Akwasi Baour Owusi @akwxi Neighbors Skate Shop @neighborsskateshop Edward (Tre) N Lampkin III @cockytee Cleon Arrey @cleonarrey Client: Google @google Agency: M Booth Group Manager: Amy Shoenthal EPs: Kamila Prokop @kamilaprokop + David Richards Producer: Manny Caston: @mannycaston Production Supervisor: Gianfranco Svagelj @svagelj Production Coordinator: Brooke Eliot @broookeee21 1st AD: Boma Pennebaker DP: Ben Goodman @bengoodman_dp 1st AC: Travis Waddell @traviswaddell 2nd AC: Scott Sison @scottsison Prop Master: Dru Doe Leggiero Prop Assist: Quintin Scherquist Suit Tailor: Adrien Sauvage: @adriensauvage Music: Sunni Colon @sunnicolon Voice Over: David B. Cole Editorial: Uppercut @uppercutedit Editor: Tyler Horton @tylerchorton Producer: Lisa Sadek @lisaferrrr EP: Julia Williams @juellz42 Flame Artist: John Geehreng Color Grade: Color Collective Colorist: Mike Howell @classic_mike1 EP: Claudia Guevara @guevaranyc Audio House: Racket Club Mixer: Jamie Pollock Partner/Creative Director: Nick Crane @racket.club.music @l.o.s.t.v.a.l.l.e.y

MEATS Short Film

MEATS Short Film

What happens when a pregnant vegan suddenly craves meat? In this exploration of ethical meat-eating and parenthood, Lane hires a butcher to teach her how to be a responsible carnivore and ends up learning about a whole new side of herself.

THE JUNGLE GIANTS | Treat You Right

THE JUNGLE GIANTS | Treat You Right

A story of personal growth. PRODUCTION COMPANY Wildebeest PRODUCER Jessica Galea 
EXECUTIVE PRODUCER Stu McCullough DIRECTOR Julian Lucas
1ST ASSISTANT DIRECTOR Tim Williams PRODUCTION MANAGER Gemma Murphy DIRECTOR OF PHOTOGRAPHY Max Walter FIRST CAMERA ASSISTANT Lachlan Wright SECOND CAMERA ASSISTANT Agatha Lee GAFFER James Thompson BEST PERSON #1 Jack Donald-McDowell BEST PERSON #2 Akash Vijayakumar 
BEST PERSON #3 Lawrence Mccrab
PHOTOGRAPHER Timothy Lambert

PRODUCTION DESIGNER Imogen Walsh ART ASSIST Shanahbelle Macdonald
ART ASSIST Karli Laredo ART ASSIST Nick Moon
ART ASSIST Sasha Dalton
 MUA Sam Pearce WARDROBE STYLIST William Bobbie Stewart RUNNERS Amy Pollock
Georgia Dow 
POST PRODUCER Josie Baynes
EDITOR Chris Axiaq
VFX & COMPOSITING Damian Dunne
COLOURIST Matic Prusnik 
LEAD Sam Hales BODY DOUBLE Culum Revell

BAND MEMBERS
Cesira Aitken Keelan Bijker Andrew Dooris Huge thank you to Reg Dixon who supplied the RV.
reg.dixon@outlook.com
0413 987 078

’Treat You Right' was: Produced by: Sam Hales Mixed by: Konstantin Kersting and Sam Hales Mastered by: Leon Zervos at Studios 301, Sydney Management by: Stu McCullough, Hannah Morrison and Brigid Langford at Amplifire

Toothpick

Toothpick

Everyone is becoming concerned with Donny's new habit. Featuring Donny Divanina, Cory Loykasek, Frankie Quinones, Andie MacDowell, and DeMorge Brown

Rapha Rides Maui

Rapha Rides Maui

Created by Danny Gevirtz Cyclist - Rodrigo Moraes

SEARCHLIGHT SHORTS | The Heart Still Hums | dir. by Savanah Leaf and Taylor Russell

SEARCHLIGHT SHORTS | The Heart Still Hums | dir. by Savanah Leaf and Taylor Russell

A documentary short following five women as they fight for their children through the cycle of homelessness, drug addictions and neglect from their own parents. Unique, yet undoubtedly familiar to many; a story about fear, sacrifice and the unconditional love between a mother and her children. #SearchightShorts

The Headless Way - Who Are You

The Headless Way - Who Are You

The Headless Way is a collection of philosophies and meditations by the late great Douglas Harding on the subject of the true nature of the self. I collaborated with his protégé Richard Lang to create this short video which gives a small taste of Harding's understanding of the nature of the self through the lens of distance and observation. Design & Animation - Alex Barnet Script and Video concept - Richard Lang Audio - Sono Sanctus

Shadows In TheSky (8K, 4K)

Shadows In TheSky (8K, 4K)

Support me on Patreon! https://www.patreon.com/mikeolbinski​ Follow me: http://www.mikeolbinski.com​ http://www.twitter.com/mikeolbinski​ https://ift.tt/2cP05G6 Music: "The Last Goodbye" Eric Kinny, Danica Dora (through TheMusicbed.com, sign-up for licensing here: http://share.mscbd.fm/mikeolbinski​) ------ Sometimes it takes you months to find the correct song for your next project and other times you find it in about three minutes. When I heard The Last Goodbye, the haunting melody and gorgeous vocals, not to mention the cinematic feel leading to a pulse-pounding finale, I knew instantly I wanted to use this for a black and white film. Interestingly enough, while I love making these monochrome films, I've had this newfound love of color in storms, the variety, the stunning tones of greens, blues, oranges, reds and everything in-between. So as I was making this film entirely in black and white, I kept getting this unsatisfied feeling. I decided to try something new about halfway through, when the song's pace slowly increases, and I hope it's something you enjoy! I love this song, I love these clips and I love chasing storms. The scenes in this film have appeared before, and I cannot wait to get out and get some new stuff to share down the road. It may be two years of collecting footage again before I create something new, so I had to put something out now to tide me over until then and also to fire me up for storm season! Hope you enjoy!

ZIGMAN (Brain Dead + Reebok film)

ZIGMAN (Brain Dead + Reebok film)

Created for the Brain Dead x Reebok Zig Kinetica II https://ift.tt/3e5pVnj Director Jonny Look DP Chris Westlund Producer Terry Rayment Executive Producer Ron Moon AC Jimmy Vargo Grip Rich Robles Gaffer Cole Pisano Audio Tech Joe Costner Fabricator Bryan Fulk Costume Designer Landra Dulin Production Assistant Max Look Roger Jones Demorge Brown Stuntman / Flipper Kyle Moffett VO Randy Liedtke Designer Gage Lindsten Title Design Jason Look VFX Artist James McCarthy Music Eric D. Johnson Colorist Daniel Stonehouse Sound Designer Kyle Campbell Special Thanks Todd Moffett Special Thanks Kris Johns Special Thanks Lauren Malizia

On est Ensemble

On est Ensemble

On est Ensemble. A portrait of Cherif Fall. “When I was small there were a lot of people that said I couldn’t surf. In my generation there were many who were much better than I. I was criticised a lot, along with a few other things that I didn’t really appreciate but it helped me a lot. Now I can say I’ve achieved nearly everything I wanted to achieve. There were moments which were really hard, to surf, to have a board. It was challenging. If you see that you can help a person, you have to help them - sincerely. Sometimes when I reflect on my life, I’m proud of myself as my parents are really happy. When I see that and my life now, from where I started at the beach in N’gor surfing with only broken boards it makes me happy. Today, people say bad things and good things .The bad things, I listen to them and I leave. I don’t care about that. I’m in my headspace of working and that’s it. Surfing isn’t a thing for white and blacks. It’s everywhere. For everyone. If you want to do it, then do it. Today that is what we believe in. I would love people to help the Senegalese surfers, as we have a lot of surfers who surf really well now. A lot of people say there are no black surfers but here there is us, me, the people you see here. We are all ready to show our Senegalese surfing” - Cherif Fall On est Ensemble. A Wasted Talent project, supported by Billabong. Directed by Guillem Cruells. Executive producer Alexei Obolensky. Still photography by Nil Puissant. Sound design and mix by Thom Pringle. Graphic direction and design by George Hatton. Shot in Dakar, Senegal.