Mission: HEBRON

Mission: HEBRON

In Israel, soldiers are conscripted at the age of 18. Within a few month, they have the authority to exercise control over many aspects of Palestinian civil life. Six ex-soldiers face the camera and recall their recent service, offering a view into one of the most troubled cities in the West Bank. This film was originally published by The New York Times Op-Docs: https://ift.tt/3wSzq0F https://ift.tt/3Fj756T Official Selection: IDFA 2020 Winner of Best short documentary, Jerusalem Film Festival 2020 Tampere’s Candidate for European Film Awards 2021 Winner of Best short documentary – Short Shorts Film Festival & Asia 2021 Winner of Human Values Award, Drama Short Film Festival 2021 AFI Docs 2021 Palm Springs Shortfest 2021 AFI Fest 2021 SFFILM Doc Stories 2021 Featuring: Louis Averbuch, Nitzan Ron, Ron Zeidel, Yonatan Stearman, Dean Issacharoff, Nadav Bigelman Screenwriter & Director: Rona Segal Producer: Idit Kliger, Kliger Films Executive Producer: Kobi Mizrahi, KM Productions Cinematographer: Itay Marom Editor: Ayelet Ofarim Sound Design: Nati Zeidenstadt Music: Tal Yardeni

Octavian - Sky High

Octavian - Sky High

PRODUCED BY OMAR Films DIRECTED BY MARIUS GONZALEZ Producers - ARISTIDE COCHIN & BLAISE BOCABEILLE Cinematography - Julien Ramirez Line Producer - Vincent Veve Prod coordinator - Perrine Mercier 1ST AD - Mathieu Perez 2D AD - Ambre Rambaud Stunt coordinator - Didier Alexandre Focus puller - Octave Paute Video assistant- Yann Festinger Steadycamer - Calvin Tournie Location Manager - Guillaume Fermaud 1st assistant location manager - Sacha Fabre PA/ Regisseur Louis Meier Gaffer - @MAXIME.CHS SPARKS - Paul Bijaoui SPARKS - Nathan Jean-François KEY GRIP - Octave Maria GRIP - Dorian Rey MAKEUP (SFX) AND HAIR MANAGER - Mikael Arasco MAKEUP MANAGER (SFX) - Anouk Haif STYLING - Malick Traore PRODUCTION DESIGNER - Lucie Bernard 1st ASSISTANT DECORATOR - Nicolas LAFERRERIE ABTRACT VISUAL Morgan Beringer POSTPRODUCTION - paume. EDITORS - Marius Gonzalez & Alexis Benot COLOR GRADING - Arnaud Laurent VFX Melchior Leroux

FLOATERS: The Big Number Two

FLOATERS: The Big Number Two

An oblivious duo are closely monitored after their daring escape from a high security space prison. Starring Zach Braff and Joel Fry Directed by Karl Poyzer & Joseph Roberts Designed and Animated by Karl Poyzer Written by Joseph Roberts and Rowan Bancroft Sound Design by Jochen Mader Orchestral Score by Guido Maat Theme by Pete “Technicolour” Rogers Produced by Joseph Roberts & Karl Poyzer The Floaters universe expands on its a mundane look at the future with a timely second installment. “Hot on the heels” (read: about a year) after their first ever animated comedy sci-fi short ‘Floaters’ landed on the internet, Karl Poyzer and Joseph Roberts have returned with a sequel to the surprisingly successful comedy animation with the immaturely titled: Floaters: The Big Number 2. We can only apologise. directorsnotes.com/2021/12/15/joe-roberts-karl-poyzer-floaters-the-big-number-two/ Thanks to: Joe Lawerence, Ben Putland, The Panics, Alex Rusher, Alex Poyzer, Sady Fofana & Ian Hubert

Airbnb 'Strangers' - Director: Kim Gehrig

Airbnb 'Strangers' - Director: Kim Gehrig

Wix Madefor

Wix Madefor

Introducing Madefor, a versatile typographic toolkit with a distinct personality. Designed for your vision — made for you. Explore Madefor: https://ift.tt/34dUf97

Last Days at Paradise High

Last Days at Paradise High

Told from the perspective of America's youngest climate refugees, Last Days at Paradise High is an intimate portrait of fading youth and the search for home after it's gone. A short documentary by Derek Knowles and Emily Thomas https://ift.tt/3rJwjb1

Field of Vision - The Facility

Field of Vision - The Facility

Detained inside an infamous American detention center as the pandemic spreads, a group of immigrants organize in protest to demand protection and their release. Separated from their families, and fearing for their lives, they take bold action. But officials who run the detention center are intent on keeping these men and women silent, and keeping them locked up. Filmed using the cameras attached to tablets installed inside the detention center cell-blocks, the film is a unique, real-time chronicle of a life in an immigration detention facility, and of a struggle for freedom and accountability. Directed by Seth Freed Wessler